I hope you will enjoy reading The Church Door, a short story matching the Thursday Doors weekly feature.
This is my first attempt at doing a post for Thursday Doors, but since I am fascinated with doors and I just happened to find my way through a scene involving a door in my WIP, I thought, why not?
The doors are from Brașov, a city in the Transylvania region of Romania over 800 years old. We went there on holiday in 2019. Enjoy!
The Church Door, a (very) short story
Their plan was to arrive at the church before closing time, when the sanctuary was still open to visitors, but voided of worshipers, and the church custodian would be too tired of curious tourists and too exasperated by chatty old crones, so he would wave them in and then rush to finish his last chores.
They reached the holy ground well after nigh fall. It’s been the old town that threw them off, one that none was familiar with, full of labyrinthine nooks where Google Maps had never set foot. They lost their way a few times. As if the town had a mind of its own. As if its troubled spirits, the ones denied for eternity the sanctity of a peaceful sleep, were trying to stop them.
The church rose behind a curtain of trees. Or at least they hoped it was there, cradled in the sombre, hollow space at the back. The street lamps were off and it was too early for the moon to rise.
So why they pushed on? Because they came thus far. And she needed to get an answer.
The church door should face the front, the street, Kate knew that much. The altar would face east and that was to the right.
They would have knocked they heads in the sanctuary’s door, should she not have extended her arms. It was that dark underneath the old trees. She had removed her gloves earlier one, heated from the march, so the door felt warm and cold under her hands, smooth and rough.
Drachen thumbed on a flashlight.
The door, ten feet tall, had been forged five centuries ago during the times of its founder, Vlad the Monk. Kate’s hands rose and sank with the wood rods that seemed to have been twisted by time, reinforced in battle. Old oak, like the one that it was still alive around them, standing guard. The breams were reinforced with iron plates fixed in place with iron studs, hammered while the metal was still red. The wood and iron were spotted with years of water damage, be it from heavy summer rains or hibernal blizzards. Kate wondered how many battles it witnessed, how many Ottomans and Tatars it fought in silence. For how many weddings it pulled aside quietly, shrinking in the shadows, keeping its smoked-patina away from the pristine ivory of the bride’s gown. Or how many secrets it bear witness to, unwillingly. Unknowingly.
Kate always found churches approachable, a spiritual consecutiveness between man and god, people and families, intended for peace making. But this door looked as if it’s been forged to keep the intruders, and the worst of the weather, out.
‘As old as the church,’ said Drachen and his words came out in whisper. As if he didn’t want anyone else to hear them. Although there was no one else around.
Except for them, the spirits, a thought crossed Kate’s mind and she shook it off right away, surprised by her naïve predisposition to superstition.
‘Its locking mechanism is incredible, I saw a design once, for another door. It is a complex system made up of no less than 19 locks created in 1515 by local craftsmen, intended to shield the Episcopal treasure kept inside. Only one key can open it,’ he said.
‘A Bramah key?’
‘No, no Kate. You mean the cylindrical keys with different slots of varying depths? You’re nearly three centuries off. The Bramah lock was invented towards the end of the 18th century.’ He leaned towards the door, almost smelling it. ‘ Would you hold the flashlight, please,’ and Drachen leaned on his hands, both palms spread over the door’s relief, the only two areas that reflected the beam coming from the torch.
‘Now this, this is something much better.’
Behind the door with its 19 locks was the old church, full of secrets. One of them, hers.
© Patricia Furstenberg
A gate door along the narrow cobblestone streets winding through Schei, Brasov’s traditional Romanian quarter:
The Beth Israel Synagogue in Brasov (Hebrew: בית ישראל):
The lovely lady in the rope-ed statue below points towards Strada Sforii (Rope Street), a medieval lane and one of the most narrow streets in the world:
Doors are like people.
Some stand proud, some pull in the shadows, some look inviting and throw open both arms, some keep to themselves. Some are round, some tall and dark, some fancy, some barely keeping up. But all, all doors have a story to tell.
At least one.
What is your story, I ask each one as I walk past. I’m listening.
See you all next Thursday! 🙂 Thank you for visiting.
Thursday Doors is a weekly feature that brings door lovers from around the world together, while sharing their joy towards door photography. Feel free to join by creating your own weekly Thursday Doors post and then sharing your link in the comments’ on Norm’s site, anytime between Thursday morning and Saturday noon (North American Eastern Time).
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