Vlad the Impaler’s Medieval Feast. Wine or Blood?

Vlad Impaler medieval feast wine or blood

Started as a rumor, the story that Vlad the Impaler, Vlad Tepes or Dracula, a Romanian medieval prince, loved to feast on blood and not wine, snowballed along the centuries to such an extent that it is accepted as truthful today.

Before we dress up and attend Vlad’s medieval feast to find out the truth by ourselves, what’s in his cup, wine or blood, we owe it to the historical facts to acknowledge his bravery in battle.

When my children were young, as a loving mother I was the one in charge of pouring their drinks; at least most of the time. But if we would have been a royal family living during medieval times, we would have had a personal cup-bearer. Not too bad, isn’t it? Not to mention drink wine with most meals, as the water was too unclean to be consumed. Oh, not so sure about this…

The first documentation of such a job, cup-bearer or paharnic in Romanian (from pahar meaning cup) dates back to 8 January 1392. The paharnic was also responsible for the royal cellar. From the same time dates the first documented stolnic job, or the King’s seneschal, responsible with his food and meals. And making sure there was plenty of! In Romania’s former principalities, Wallachia, Transylvania, and Moldovia, these jobs were filled by boyar aristocrats. Always a source of conspiracies, double cheats and overturn.

Vlad the Impaler and the boyars. Paharnic. vlad medieval feast blood

It was this piece of information tht reminded me of some stories about Vlad the Impaler and his medieval feast on blood… As a Romanian born, I do know this is not true, but how many of you know the real story?

Read on.

Vlad the Impaler and his medieval feast. Blood or wine?

Vlad the Impaler, born in Sighisoara, ruled Wallachia over three terms during his life. Considered one of Romania’s national heroes, Vlad is the hero of plenty of terrifying accounts. Some true, some lost in translation. Let’s see the known resources of the time.

History is true as long as it is based on credible, unbiased resources.

German stories about Vlad the Impaler

During the Autumn of 1462, a Saxon chronicler from Brasov compiled a collection of over thirty horror stories about Vlad the Impaler and his most uncommon endeavors, Geschichte Drakole waideThe History of Prince Dracula (Istoria lui Drăculea vodă). According to this, Vlad ordered the impaling of approximately three hundred Saxon merchants from Transylvania and had others burned alive.

woodcut of Vlad the Impaler on the title page of a German pamphlet  published in Nuremberg in 1488 - wikimedia
A woodcut depicting Vlad on the title page of a German pamphlet about him published in Nuremberg in 1488

There are no other known written accounts of the same genre left by the Saxon writers from Brasov to better understand the style of the time, only the ones about Vlad.

Why they did it?

Killing and torture were pretty common during Medieval Times, still, Vlad’s endeavors seemed to stand above the rest and to have the right frightening impact on the peasants. The fascination with death, under all its aspects, is certainly deeply rooted in human nature. From here was but a short distance to Vlad and his medieval feast on blood.

It is worth considering that, at the time when this collection of horror stories was compiled, Matei Corvin (Matthias Corvinus, or Iancu de Hunedoara) was King of Hungary.
Matei Corvin and Vlad the Impaler had a secret agreement to become allies and start an anti-Ottoman crusade and free Constantinople, as well as block the spread of the Ottoman Empire westward. Even Pope Pius II supported them by giving Matei 40 000 gold coins for soldiers and warships.
But Matei Corvin needed the Pope’s moral and financial support for his own political struggles, to rally to his cause the nobility of his country, even under the banner of the Crusade. In fact, he pursued his main goal relentlessly: to be recognized king of Hungary by the emperor.
Matei Corvin changed his mind at the last moment (after receiving the Pope’s financial contribution) mainly due to extreme political changes in the Holy Roman Empire and Corvin’s wish to keep the Holy Crown of Hungary at all cost. Thus he used the Pope’s money to pay for it, fulfilling his own pland and did not joined Vlad the Impaler in the anti-Ottoman crusade.

This entire game of Matei Corvin led to Vlad the Impaler facing the army of Mohamed II alone in the famous Night Attack at Târgoviște on Thursday, June 17, 1462. Here, Mehmed came with an army ‘in which in numbers and armaments must have been equal to that which he had employed on the siege of Constantinople.’ The Sultan wrote of 150 000, chroniclers of the time mention 400 000. Vlad the Impaler, while still awaiting Matei Corvinu’s support that never arrived, mustered an army of 30 000 (22,000 and 30,900 chroniclers say) men, women, and children over the age of twelve. It was in this battle that Vlad ordered that 23,844 Turks be impaled.

The Night Attack of Vlad the Impaler as painted by Romanian artists Theodor Aman.
The Night Attack of Vlad the Impaler as painted by Romanian artists Theodor Aman.

Vlad the Impaler, between a rock and a hard place

After the retreat of the Turks, the situation did not improve for Vlad.
His younger brother, Radu the Handsome, Radu cel Frumos, had the Turk’s protection (situation going back twenty years to the time when both Vlad and Radu were held hostages there to secure their father’s loyalty).
The Saxons of Transylvania, instead of supporting Vlad, conflicted him because Vlad had limited their economic freedom in Wallachia in his attempt to support the local merchants.
So the Saxons of Transylvania compile an account of Vlad’s acts and complain to Matei Corvin who sees this as the best opportunity to please them as well as solve his own problems, thus turning Vlad the Impaler into a scapegoat.

Matei Corvin ordered that Vlad the Impaler be captured and imprisoned by the end of 1462. And then Matei Corvin sent ambassadors to Venice and to the Pope to explain his acts and his financial spending. The ambassadors brought along texts containing evidence of treason and “inhuman cruelty” of Dracula. The texts were compiled by the Saxons of Transylvania, Die Geschichte Dracole waide (The Story of Prince Dracula).

You can see how Matei Corvin, having all these horror stories about bloody Vlad the Impaler, so un-Christian like, could explain his last-minute abandon of a Christian Crusade.

Danuve Principalities - Moldavia, Wallachia. Transylvania, part of the Kingdom of Hungary
Danuve Principalities – Moldavia, Wallachia. Transylvania as part of the Kingdom of Hungary

At the same time, Gutenberg’s press, although still brand new, was very much in operation. Before 1500 there were already over fourteen editions (surely each one revised and improved) of Vlad’s horror stories circulating Germany. By the end of the 16th century, thirty such editions were in print.

The Story of Prince Dracula, as written by the Saxon merchants

The accounts included here refer to Vlad the Impaler’s main reign from 1456 to 1462. The text was recorded almost at the same time by three witnesses. Thomas Ebendorfer, professor at the University of Vienna, wrote Latin chronicle, Cronica Regum Romanorum (Kaiserchronik) and he considers the events as taking place between May and August 1463. Pope Pius II mentioned it in his Commentaries and considers that the stories took place between April and July 1463. Lastly, the accounts of the German minstrel Michel Beheim who composed his 1070 verses long poem. Beheim used the Saxon tales and new information provided to him by a monk, Jacques de Gorrion (Gornji Grad).

The sequence of events in the three sources is identical, proving the existence of a common source, the Saxon stories, brought by the Hungarian delegation and put in circulation June-August 1463 in Vienna. A renowned printer of that time was Ulrich Han who worked in Mainz with Gutenberg and had already published an Almanach, Almanack in Vienna during 1462

Further printings only began in 1488 and lasted until 1559-1568 in Nuremberg, Lübeck, Bamberg, Leipzig, Augsburg, Strasbourg, and Hamburg. Yet, there are great differences between the first edition from 1463 and the 1488 texts, with regards to the order and the content of the events described.

The Story of Vlad the Impaler, 1488 - vlad medieval feast blood
Front page of Die Geschicht Dracole Wayda Nuremberg Marx Ayrer, 14. October 1488

Some tales said Vlad ordered his victims to be chopped like the cabbage. Others depicted Vlad boiling his victims alive, in huge cauldrons, only their heads sticking out. Others were so horrible and unbelievable, I won’t even mention them. But some are worth sharing.

After the old governor ordered that old Dracul be killed, Draculea (Vlad the Impaler) and his brothers gave up their Islamic believes and promised to protect the Christian faith.

The same year, Vlad was made governor of Wallachia. Immediately he orders the murder of Vladislav Voda, the previous ruler.

Vlad ordered that Saxon villages and fortresses near Sibiu, in Transylvania, be burned to the ground. The Transylvanian villages of Klosterholtz, Nuwdorff, Holtznetya were turned to soot.

It is worth mentioning here that although I don’t approve of Vlad’s crimes, some of the places Vlad set alight – if not all – harbored boyars who wished to take Vlad’s place as ruler of Wallachia.

Dracula ordered that all the thrives of his kingdom be caught and he had them all impaled

Vlad the Impaler depicted here as feasting among the impaled. A colorized rendering of the woodcut by Ambrosius Huber of Nuremberg (1499). NOTICE the blond beard - colours added much later.
Vlad the Impaler depicted here as feasting among the impaled. A colorized rendering of the woodcut by Ambrosius Huber of Nuremberg (1499). NOTICE the blond beard – colours added much later.

When the Turk ambassadors arrived at his court and, according to their tradition, did not remove their headdresses, the turbans, Vlad ordered that they are nailed to the ambassadors’ heads. As a lesson.

One of the first things Vlad did was to order that all the boyards who cheated his father and contributed to his death be caught and impaled.

Once a priest came by, preaching that sins can never be forgiven. Vlad invited him to his place, to share his meal. So Dracula breaks bread and starts eating, all the time beckoning the priest to take a bite, knowing that it was before sundown the priest should fast. And the priest ate. Enraged, Vlad asked him how he can preach about sins when he sins himself?

Another story speaks of a great feast Vlad organized for all the lazy, old, sick or generally non-working people of his kingdom. He first ordered that a great hall be built, then he had a banquet table set inside, filled with mouth-watering food and drinks. And invited them all to the feast. When they were enjoying themselves the most, he ordered the doors shut and the whole place set on fire. To teach everyone a lesson about the value of work.

Vlad the Impaler - capturing boyars. Painting by Theodor Aman. 
vlad medieval feast blood
Vlad the Impaler’s envoys capturing the boyars during a feast (April 1457), in an 1860s painting by Theodor Aman. Source

Once, a foreign merchant complained to Vlad that, while he spent the night at an inn, 160 ducats have been stolen from his cart. Vlad ordered a hunt of the thief who was later impaled. Then he repaid the merchant but ordered that 161 ducats be returned. When the merchant came to Vlad to thank him for his help, he also returned the extra coin. Vlad appreciated the man’s honesty and admitted to his plans of impaling the merchant, should he had not come clean.

At a major crossroads, where there was a well for thirsty travelers, Vlad ordered that a golden cup be placed, for everyone’s usage. The cup stood there as long as Vlad was the ruler of Wallachia, as a testimony of Vlad’s love for honesty and order.

Vlad’s life included in the Cosmography by Sebastian Münster

The stories of Vlad the Impaler are also included in the 1544 Cosmography by Sebastian Münster, the earliest German-language description of the world.

Europe As A Queen - depicted by Sebastian Munster in 1570
Europe As A Queen – depicted by Sebastian Munster in 1570

What exactly did Vlad the Impaler dip in the blood?

Michael Beheim’s song about Vlad the Impaler

In a time when reading was not an option for everyone, these stories were further spread by troubadours or minstrels, Minnesänger. One such troubadour was Michael Beheim who compiled ‘Story of a Violent Madman Called Voïvode Dracula of Wallachia’ or Ainem wutrich der heis Trakle waida von der Walachei, a 1070 verse long song. Beheim first sang his poem at the court of the Holy Roman Emperor Frederick III during a long winter in 1463. Here is a tiny small extract:

 Michael Beheim - Dracula Song, 15th Century (source) vlad medieval feast blood
Michael Beheim – Dracula Song, 15th Century (source)
Translating to:
'It was his pleasure and gave him courage
To see human blood flow
And it was his custom
To wash his hands in it
As it was brought to the table
While he was taking his meal.'

(Translated by German scholars Clemens Ruthner and John Buffinga)

Well, hands, not bread dipped in blood.

I try to imagine the people listening to this song, perhaps having already heard of Vlad the Impaler, Dracula, imagining how Vlad would enjoy a (medieval) feast on blood.

I wanted to mention this detail of hands / bread, as there was an entire dispute between two Boston Professors, McNally and Florescu, and the Canadian Professor Emerita Elizabeth Miller, leading expert on Bram’s Stoker’s Dracula – over what exactly did Vlad the Impaler dip in the blood, bread or his hand?
Bottom line is:

  • Bram Stoker, when he wrote Dracula (1895 – 1897), might have been familiar with Beheim’s poem about Vlad Tepes.
  • 1972, McNally and Florescu used a liberal translation of Beheim’s poem to tie Bram Stoker’s Dracula to the real Vlad the Impaler, Dracula III. This translation stated that Vlad dipped his bread in the blood.
  • Elizabeth Miller states that Stoker only borrowed the name and bit of historical information and that there was no mention of Vlad the Impaler, Dracula III in Stoker’s notes.
French Xylography from 1499 depicting Vlad the Impaler
French Xylography from 1499 depicting Vlad the Impaler

More bloody stories about Vlad the Impaler

Russian stories about Vlad the Impaler

in 1490 the monk Eufrosin translated into Russian a collection of 19 such horror tales of Hungarian origin: Stories about Prince Vlad. We know the origin of the author because he mentions ‘King Mátyás, using Matthias Corvinus Hungarian name. We also know that their writer was a Christian believer. These stories do depict Vlad’s bravery against the Ottomans. But do they mention of Vlad enjoying a medieval feast on blood?

This collection was less spread in the East since here Gutenberg’s print was not used yet. Thus, mostly the monarchs, the monks, and the clerics had the chance to read it. But it reached the hands of Ivan the Terrible who, they say, was inspired by Vlad the Impaler. We are familiar with the Tsarist autocracy of byzantine inspiration, and how the Russian people stayed loyal to their Church, thus revering their Byzantine heritage. Remember, this happened shortly after the fall of Constantinople in 1453, an event considered by many as a sign the End time was near. Also, a time when the idea Moscow as a Third Rome was of great appeal.

These stories read today as historical fictional accounts, making Vlad the Impaler a mythical character.

One such story depicts Dracula enjoying his lunch beneath a forest of impaled bodies. A servant was seated opposite Vlad, invited to share in the King’s meal. When the henchman could not stand enveloping reek of death anymore and covered his nose, Vlad was seized by murderous rage and ordered that the servant be impaled. ‘On the height of the stake the air is clean and so no stench will reach your nose’, he is supposed to have said.

Another time, an emissary of King Matei Corvin arrived to see Vlad the Impaler. It was an important delegate, a high Polish nobleman. He, too, was invited by Vlad to share his feast among the impaled bodies. Nearby, a brand new, gold spike stood. Vlad asked the emissary how he finds the spike. Whose was it? What would you answer? The Polish nobleman said that perhaps a boyar upset Prince Vlad and he, as a good Prince that he is, wants to show his respect for the man’s position at his court, impaling him into a stellar spike. Vlad liked the emissary’s answer but explained that the spike had been custom made for the Polish nobleman. The man accepted his fate, coming from such a fair and expert judge, admitting that he, alone, is to be blamed for his death and not Prince Vlad. Dracula liked the man’s answer, stating that he is a true emissary who knows how to speak to a sovereign and even granted his clemency.

Other stories also mention Vlad’s dislike for emissaries, Kings or any Sovereign who came to see him but were not dressed according to their rank or could not answer his riddles. He would simply order their death by impaling, stating that it wasn’t his fault, but their own, or their King’s, for not educating them before coming to speak to him.

The portrait of Vlad the Impaler found in Ambras Castle portrait and painted in 1560, a copy of an original made during his lifetime
The portrait of Vlad the Impaler found in Ambras Castle portrait and painted in 1560, a copy of an original made during his lifetime

Vlad’s black and white vision of the world

One of the stories translated into Russian speaks of Vlad the Impaler after he was released from Matei Corvin’s imprisonment (1462 – 1475), depicting his righteousness and character. Vlad was given a house in Pesta to live in, before his return to Wallachia. One day, a thief, running from local guards, sought refuge in Vlad’s yard. After him, the Hungarian guards rushed in. Vlad arrived in the yard at the moment a Hungarian sentry took hold of the thief. In one motion, Vlad cut the sentry’s head. The Hungarian King, Matei Corvin, later asked Vlad why he killed the guard. At which Vlad replied that it had been the guard’s fault entierly since he entered the house of a great ruler and inflicted pain one a human being. If the sentry would have asked to speak with Vlad first and presented him with the facts instead of taking the law into his hands – he would have still been alive and Vlad would have ceased the thief himself.

Along the centuries, some kings feasted from gold plates, drinking from silver goblets adorned with jewels, while sitting on thrones nailed in silver, covered in expensive brocade sewn with gold thread, on silk pillows. Others had banquets with countless courses of food, barrels of wine and beer that everyone was expected to drink, eating hundreds of animals cooked just for that one meal. Perhaps this is another reasonas to why Vlad , living at the end of the ruthless medieval era, was imagined to feast on blood.

Vlad's signature
Vlad’s 1470s signature, Wladislaw Drakulya

Throughout his life, Vlad the Impaler had one thought on his mind, to protect his country from Ottoman invaders, to assure its autonomy, to build its economic strength, to be recognised as a Great King. Judged harshly by his contemporaries, Vlad was often stood alone in his confrontation of the biggest political power of his time, the Ottoman Empire.

It was this struggle that allowed him to cast one of the biggest shadows throughout history, perhaps as big as the fame he wished to have during life.

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A Journey through the Medieval City of Sighisoara, Romania

Winter Journey to Medieval Sighisoara, Romania

If you journey through Transylvania, ‘the land across the forest’, (searching for Vlad Tepes, Vlad the Impaler or Dracula) and head towards Brasov along the banks of the Big Tarnava River, you will surely spot from quite afar the pointy towers of medieval Sighisoara City, with its centuries old fortress and churches. We traveled there by train one winter.

I give you the ‘Pearl‘ and the ‘Nürnberg‘ of Transylvania, Sighisoara!

A brief history of Sighisoara

Nearly two millennia ago here rose a Roman castrum, a military fortified camp for guarding the roads. But more proof of local human settlements dates back to the Bronze Age.

Looking at Sighisoara fortress from the Lower City
We see the fortress up on the hill, as we cross the river over Tarnava Mare

Sighisoara as we know it took shape during the 12th century when Saxon merchants and craftsmen settled here for a few reasons…

First, to defend against Tatar invasions the eastern and southern borders of the Hungarian Kingdom, formed at the beginning of the Middle Ages on the Pannonian Plain. This border was none other but the line of River Târnava Mare.

Second, in search of a better life. These settlers, who chose the banks of the slower Saes river to build their homes, were soon known as the Transylvanian Saxons. By the 14th century, Sighișoara was a well known royal center with the status of an urban settlement, Civitas de Segusvar, and by the 15th century its guilds had received the sole right to its administration.

As it was the custom during the Middle Ages, captains ruled such territories, or royal citadels, and these captains obeyed the Prince of Transylvania which, in turn, was a vassal of the King of Hungary.

Yet there was a third, less known reason. As the people already living in this land were Christians and the Pope loved converting new territories to Catholicism, the plan of populating this area with Saxons emerged. So, over the centuries, in Transylvania arrived first the military contingents, then the Saxon merchant settlers.

Dominican monks also settled here at the end of the 13th century, followed by the Franciscans.

Sighisoara view
Admiring Sighisoara from the very top of the hill

Today, a journey through the medieval city of Sighisoara is time-travel at its best, as this is one of the few preserved medieval cities still found in Europe and the only one fully inhabited found in Romania.

Sighisoara – the etymology of a town’s name

Castrum Sex, Castle Six, was the name of the fortress that existed here prior to the apparition of the first Hungarian military contingents. This fortress was first attested at the beginning of the 13th century, before being almost completely destroyed by Tatars.
Later we hear the name Castrum Sches, from Hungarian seges, or citadel, although it makes more sense to connect the fortress’ name with that of one of the rivers that run through it, river Şaeş.

Other names used for Sighisoara during the Middle Ages were Segusvar and Segeswar, as well as the German Schägesburh.

Vlad Dracul, Prince of Wallachia, was the first one to use the Romanian transcription of the town’s name, Schegischone, in a document from July 1st, 1435.

Sighisoara City – a layout with a purpose

One of the things I enjoyed about our journey around the medieval city of Sighisoara was that everything is within walking distance. Although the train station’s location is in the Lower City, Sighisoara’s modern area, it is easy to spot the walled fortress, atop a hill in the Upper City. The medieval citadel rises, colossal and gray, yet within close range, accessible through a bridge spanning across Tarnava Mare River.

Encircling Sighisoara fortress, one can very well admire the original defensive wall with its towers and bastions.

To recognize the craftsmen’s importance, each guild – and there were ten such associations in Sighisoara – received a tower of the citadel’s fortification. Thus, each guild was responsible for its own administration and it is still easy to guess which guilds were the most productive ones, as their towers are the best-preserved ones, and the biggest: Tailors’ Tower, Tin-makers’ Tower, and Goldsmiths’ Tower. But, above all, stands the 14th century Clock Tower and through here we made our entrance into the Sighisoara fortress.

The guilds were important as they fought against those who practiced the profession illegally. Also, their members enjoyed privileges with the Wallachian rulers.

Sighisoara City Map (Harta Orasului Sighisoara)
Sighisoara City Map (Harta Orasului Sighisoara) source

The story of the fortresses’ ramparts and towers

Apart from its 164 houses, what we admired the most during our journey through the medieval city Sighisoara were its 930 meters long defense wall and towers. Why so many – for such a small fortress?

During the Late Middle Ages, sadly, the danger of the Ottoman Empire escalated. Therefore, the first mention of a wall around Sighisoara fortress dates back to 1490. The very first wall elevation showcased crenelations and rose only 3-4 meters in height, principally intended for arbalesters (crossbowmen).

16th century came and the bastion rose by two extra meters. Meurtrieres were now built in the wall, either as floor-holes (for dropping hot substances onto the attackers) or as loopholes (arrow slits or cannoniers). After the big fire of 1676, the fortress’ wall was 8 – 10 meters in height.

Let’s make our way inside this incredible medieval fortress.

The Clock Tower

Placed on the eastern side of Sighisoara’s defense system of walls and towers, closer to sunrise, to mark its value, the Clock Tower was the first to welcome us on our journey. On a follow-up blog post we’ll have a detailed look at the other towers, each one with its own incredible history, but for now let’s start here.

The Clock Tower is the main entrance in the fortress and the first spot we visited during our journey through the medieval city of Sighisoara.
The Tailors’ Tower, on the opposing wall of the fortress, is the second way into the citadel.

Yet it is the Clock Tower that hides a few symbols.

Massive and everlasting, the Saxons built their Clock Tower out of a myriad of humble river stones handpicked from the banks of the nearby rivers. Each stone is insignificant on its own, their strengths coming from their number, much as a king’s army. Erected with the intention of being the main entrance in the fortress the Clock Tower, fortified accordingly, had only two levels. Its walls are 2.3 meters thick and three gates defend it, while its belly protects the stairway connecting the Upper City with the Lower City.

Only a handful of visitors know that the Clock Tower is a symbol of Transylvanian Saxons’ pride and craftsmanship. They desired to build the biggest, tallest clock tower in the principality – as horology had a long tradition here, since the 14th century.

The only path into the fortress takes you underneath the tower itself. It is the Front Gate ensemble and part of the tower’s barbicane, a fortified outpost.

journey medieval city Sighisoara

In 1844, inside the barbicane a courtyard appeared, the Old Ladies’ Corridor that you can see here. This is a wooden passage meant to ease the aged peasants’ access into the fortress, during heavy winters.

Sighisoara, Old Ladies' Corrisod - Galeria Doamnelor Batrane

Into the fortress we go, underneath the Clock Tower, through the belly of the beast:

Sighisoara: main entrance in the fortress, underneath the Clock Tower

And emerging into the fortress. The visitors’ entrance in the Clock Tower is immediately on the right-hand side. The ground level of the tower dates back to the 14th century.

Similar to the second gate tower, the Tailor’s Tower, the Clock Tower has a rectangular floor plan and a ground floor with two vaulted gates over the passageway.

Soghisoara Fortress - the visitorts' entrance in the Clock Tower

Hard to guess, but the Clock Tower, or the Big Tower of the Front Gate, reaches a height of 64 meters, of which 34 meters is the roof alone!

I admired the central, pointy roof with its baroque embellishments and its own main tower surrounded by four smaller ones, each rising at 12.5 meters. These four towers are a symbol of the city’s own judicial autonomy, right of the sword, meaning that back in the Middle Ages the Sighisoara City Council could give the death sentence and executions were also performed in the City Square.

The Clock Tower. journey medieval city sighisoara
The Clock Tower, Sighisoara

Unlike the other wall towers, each belonging to a guild, the Clock Tower belonged to the public authorities serving as headquarter for the City Council. Master builders added the upper levels during the 15th and 16th centuries and when the great fire of 1676 destroyed the roof, Austrian craftsmen built a new one in 1677.

The top of the Clock Tower, Sighisoara

At the very top is a golden sphere, atop which a wind vane in the shape of a rooster still stands. The bulb-shaped roof stands as the oldest proof of Baroque influence in Transylvania.
The golden sphere is a symbol of local power and has a diameter of 1 meter. Why? Because it is a time capsule hidden in plain sight. Inside you would find a copy of the Chronicles of the Clock Tower by Georgius Krauss as well as documents pertaining to the history of Sighisoara and that of the Transylvanian Saxons.

The Sphere, the Crescent and the Double-headed Eagle of Sighisoara

At the very top of the Clock Tower is a rooster weather-vane. But underneath, between the rooster and the golden sphere, now this is an entirely different story.
We now see the double-headed eagle, a symbol of the Austrian Empire between 1867 and 1915.
During the tower’s refurbishing from 1677 the three builder masters placed here a Turkish crescent, surely under political orders, meant to remind the people of Sighisoara of the Ottoman Empire’s ruling.
The crescent got damaged in 1704 by local insurgents or curuti, from Hungarian kuruc. New work on the Clock Tower was only possible in 1776. Then the double-headed eagle, in a nod towards the Austrian Empire’s authority, replaced the crescent.

A time capsule and hidden symbology of Clock Tower and its very top. Journey medieval city Sighisoara
The Sphere, the double-headed Eagle and the golden sphere – symbology in Sighisoara

The roof, as we see it today, dates back to the 19th century. It uses hexagonal, glazed shingle tiles in shades of red, yellow, blue, green, and white. Mostly birds, able to fly this high, can enjoy such intricate details.

The Clock Tower's roof  has glazed shingle tiles in shades of red, yellow, blue, green, and white. Medieval Sighisoara.
The Clock Tower’s roof has glazed shingle tiles in shades of red, yellow, blue, green, and white.
journey medieval city Sighisoara
The Clock Tower’s roof as we saw it on a winter’s day.

Yes, we climbed to the very top, to the balcony you see above – the sixth level of the Clock Tower.

Imagine living here in the late Middle Ages. The Tower, the tallest structure for miles, protecting you, and beside the sun, the keeper of time and your only measure for the time of day and the day of the week. Yet the tower was much more than that, for during important celebrations an orchestra would climb to the balcony placed at its very top and perform music that reached every corner of the fortress as well as those living outside its walls, in the Lower City.

And looking up at this medieval giant you will want to watch out, as the slits and murder holes are still visible:

The Clock Tower in Sighisoara - Medieval, solid rock.
Looking up at the Clock Tower in Sighisoara – Medieval, solid rock.

The two faces of Sighisoara’s Clock Tower

Well worth noticing as you journey towards and through the medieval city of Sighisoara are the two faces of the Clock Tower, on its fifth level.

The best feature of the Clock Tower is on the fifth level, its 17th-century clock mechanism. In 1648 craftsman Johann Kirtschel even improved its system. He included a minute hand, added quarter-hour chimes and the one-meter tall wooden statues representing the days of the week.

Facing the Upper City or the inner fortress we can see a niche carved in the tower, holding statues and located to the left side of the 2,4-meter diameter clock dial.
Here, Peace holds a trumpet and an olive branch, near a Drummer who marks quarter hours and full hours.
Also, two statues in blue dresses symbolize Righteousness, with her eyes covered, holding a raised wooden sword and Justice, with laurels on her head, holding a scale. Yes, here Righteousness has her eyes covered and not Justice.

Later, two more statues appeared here, placed right at the top, two angels. At 6 AM the Angel of Day shows up, with flames above his head, holding a burning heart, replaced at 6 PM by the Angel of the Night, holding a torch in each hand.

On the clock’s side facing the Lower City, we can admire a horse and a drummer as well as seven 80 cm tall statues depicting seven Roman gods, symbols of weekdays: Diana / Artemis, Mars, Mercury, Jupiter, Venus, Saturn, and the Sun.

Sighisoara - the Clock Tower - Turnul cu Ceas
The Clock Tower, the clock’s face and the statues’ niche its the left side as seen from the Upper City, the inside of Sighisoara fortress.
The Clock Tower in Sighisoara: the inner, fortress' side: spot Peace with a trumpet and an olive branch and the Drummer
The Clock Tower: the statues placed bellow represent Peace, with a trumpet and an olive branch, and the Drummer .
journey medieval city sighisoara. The Clock Tower, the clock's face and the statues' niche its the right side as seen from the Lower City, the  outside of Sighisoara fortress.
The Clock Tower, the clock’s face and the statues’ niche its the right side as seen from the Lower City, the outside of Sighisoara fortress.

The Seven Statues of Sighisoara’s Clock Tower

Diana / Artemis, the goddess of hunting, depicted in a blue dress holding a bow and arrow; she has a half-moon over her head, the alchemist’s symbol for silver.
Mars / Ares god of war, holds a spear and wears a helmet with a feather, and above is the chemical symbol for iron, also a symbol for the star sign Ares.
Mercury / Hermes, the god of commerce, holds a caduceus in his right hand and a bag with money in his left and has a pair of wings at his helmet and another pair at his heels. Above his head is the symbol for mercury or quicksilver – just like his temper.

Jupiter / Zeus, the god of sky and the King of gods, depicted with his right foot resting on a globe, holds a lightning rod in his right hand and a thunder in his left. Above his head we find the alchemy symbol for tin, looking like a 24.
Venus / Aphrodite, the goddess of beauty and love, has the alchemy’s symbol for copper, passion, above her head and a winged cupid.
Saturn, the god of agriculture and abundance, has the symbol for lead above his head.
Sun / Sol / Helios, depicted as a female goddess with a crown of golden rays, the symbol for gold.

The Warning Statue, a Vestige of Sighisoara’s Medieval Past

But the traveler is also warned on his journey, long before he approaches the medieval city of Sighisoara. Can you read the signs?
Two lone statues are easily spotted underneath the seven peaceful ones, depicting days of the week and crafty symbols. One of these two statues is a drummer, matching the one on the other side of the clock tower, and hammering away as the bells chime.
Lo and behold for next to him stands an executioner, who once held in his hands a whip and a hatchet…

Going up into the medieval Clock Tower of Sighisoara

220 years old, the Clock Tower’s museum is a place worth visiting. One can admire coins, weapons, medieval pharmacy equipment and a detailed layout of the fortress.

Up until 1566, the rooms located on the tower’s first floor accommodated the Council’s City Hall.

going up in the Clock Tower of medieval Sighisoara

But what you do want to visit is the roofed gallery at the very top, hugging the clock tower all around.

Up here a 360 degrees panoramic view of Sighisoara unfolds in front of your eyes.

We spot the bridge over Tarnava Mare River that connects the Lower City with the Upper City.

If you dare count, you will see over 150 medieval houses clustered in the old town, their red roofs and the stone-paved streets where once kings, artisans, and even Vlad Tepes strolled.

over 150 medieval houses are clustered in the old town of Sighisoara
There are over 150 medieval houses clustered in the old town of Sighisoara

There, on the left, below, is the house where Vlad Tepes, Vlad the Impaler, Dracula, was born. We’ll go there soon. Meanwhile, have you noticed the slanted roofs powdered with snow?

journey medieval city sighisoara

From the top of the Clock Tower, we even had a glimpse back in time, through the history of Sighisoara. The Church on the Hill, dating back to the beginning of the 14th century, was one of the first constructions the Transylvanian Saxons built:

The early 14th century Church Hill as seen from the top of the Clock Tower.
The early 14th century Church Hill as seen from the top of the Clock Tower.

From the Clock Tower’s top balcony one can get a panoramic view of the world as well. How good is your eyesight? Can you see as far as Moscow?

Clock Tower - 1368 km to Moscova, Moscow

Measuring from the Clock Tower, Vienna is 656 km away, Rome 1.096 km, Paris 1.680 km, London 1.872 km, New York 7.431 km, Tokyo 8.890 km, and Sydney 15.438 km away.

Sighisoara, Clock Tower - 14 025 kn to South Pole

It looks like someone has left a secret message for us. Can you decipher it?

footsteps in the snow in Sighisoara - a secret message?

As a child, Vlad would have played hide-and-seek through this passageway when he was a lad of five. Lucky times as later, during the 18th century, this small space became a prison. For when the Clock Tower was first built there were two dark passageways running through it – what better place for children to play?

After the great fire of 1676, when the tower was rebuilt, one of these passageways became a torture chamber / jail. In this very space the convicts had their hands and feet tied in chains. As a way of torture the convicts were tied to the infamy pole, in the city square, with 6 kilograms river stone hanging around their necks, for all to see.

The Clock Tower, Sighisoara. A secret saide gate. Vlad Tepes would have played hide-and-seek here when he was a lad of five.

Go ahead, take a peek:

I am sure that, as a child, Vlad would have engaged in snowball fights and even built animals out of snow. On the patch of snow you see above, we built a dragon to honor Vlad’s name derived from the Order of the Dragon awarded to his father:

A Dragon of snow in Sighisoara
A snow dragon in Sighisoara

I hope you enjoyed our journey through the medieval city Sighisoara thus far.

If I were you, I would follow this blog as there are three more legs to this journey: a visit inside at the house where Vlad Tepes, (Vlad the Impaler or Dacula) was born, a walk around the medieval towers of Sighisoara fortress, as well as a pair of horns on a building, a mysterious stairway, and a graveyard.

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Exploring Romania, Top Medieval Movie Locations: Corvin Castle

Corvin Castle

Next in exploring Romania and its top locations is Corvin Castle, a fortress fit for a movie – and a book *wink*!
While we were able to spot the elegant Peles Castle in various movies after visiting it for quite a few times, for Corvin Castle we decided to watch the movie before planning the visit. The reason was that Corvin Castle is tucked away in Hunedoara County, at a significant distance from major railway stations or airports.

To visit Corvin Castle we traveled by train from Bucharest to Brasov where we planned a stop over and allowed an entire day only to visit Corvin Castle, including traveling to and returning to Brasov by car. We couldn’t have done it without the amazing support and advise of Mr Cornel and Mrs Cristina, the owners of Guesthouse Casa Cristina in Brasov, always welcoming, offering the same top accommodation and a hearty breakfast for the past ten years that we’ve been visiting them (this endorsement is not backed by any financial gain).

Dragonheart: Battle for the Heartfire, the movie shot at Corvin Castle

You might be familiar with the sight of dark marbled towers topped with pointy, burgundy roofs – a result of the smoke and red dust produced by the industrial furnaces of nearby Hunedoara’s Iron foundries. This stern looking fortress is often associated with Vlad Tepes, although his true presence here still fuels debates between historians.

Welcome to medieval Corvin Castle, or Hunyadi Castle / Hunedoara Castle.

Corvin Castle as seen in Dragonheart: Battle for the Heartfire.
Corvin Castle as seen in Dragonheart: Battle for the Heartfire.
top movie locations - exploring Romania Corvin Castle
Corvin Castle as we saw it during the summer of 2019.

This fairy-tale castle of Gothic-renaissance architecture, built on an old Roman fortification, is a stunning sight with a three pointed drawbridge and high battlements. Five marble columns with delicate ribbed vaults support two halls, the Diet Hall above and the Knight’s Hall below, both from 1453 – what you first see as you look at the castle.

Dragonheart: Battle for the Heartfire - looking up at Corvin Castle
Dragonheart: Battle for the Heartfire – looking up at Corvin Castle, Knight Hall on the right.

Dragonheart: Battle for the Heartfire is the third in the Dragonheart movie series. When the king of Brittania dies, the dragon who shares his heart must find a new ruler. We meet the monarch’s twin grandchildren, twin boy and girl who bear the mark of the dragon, thus had to be hidden away at birth. To save the kingdom, Drago the dragon (voiced by Patrick Stewart) must forge a bond between the estranged twins and locate the Heartstone, the source of his power, stolen by a common enemy.

Above, Edric (Tom Rhys Harries), the twin boy, a young man with incredible strength, enters Corvin Castle. Below, the entrance in the castle as we saw it.

exploring Romania Corvin Castle
Corvin Castle, summer 2019

On the right side of the main entrance is the original torture chamber. On the left side, the torture bastion and above it the gold chamber.

holiday in Transylvania, Hunedoara, Huniazi fortress
Greetings from Corvin Castle, from yours, truly 🙂

The castle wall was built out of 30m solid rock by Turkish prisoners. The fortress was extensively restored by Iancu de Hunedoara (Janos Hunyadi in Hungarian) from 1452 onward. The castle’s last restoration dates from 1952.

On the far right of the picture above are the Neboisa Gallery and the Neboisa Tower.

But what would you do if a dragon suddenly lands in front of you, as you approach the castle’s gate tower?

Dragonheart: Battle for the Heartfire   -entrance to New Gate Tower
Dragonheart: Battle for the Heartfire
Corvin Castle, New gate tower, built 1440-1444 at the order of Iancu de Hunedoara
New gate tower, built 1440-1444 at the order of Iancu de Hunedoara

The new gate tower (above) was built during Iancu de Hunedoara’s first stage of construction (1440-1444) on the North-West side of the fortress. At that time it was only a rectangular defense tower, with three levels. During the 17th century its defense floors were turned into bedrooms and a new entrance into the castle was opened through its ground level, still in use today.
Believe me, it is well worth exploring Romania and its castles, especially the medieval Corvin Castle.

Dragonheart: Battle for the Heartfire  - Drago on the valley near Corvin Castle
Dragonheart: Battle for the Heartfire – Drago on the valley near Corvin Castle
Corvin Castle, the valley

This stream is as old as the fortress, Zlasti Stream, and the hills profiling behind are part of the Poiana Rusca Mountains. Something tells me that this stream was running with more force back in medieval Romania, a true defender of Corvin Castle.

Dragonheart: Battle for the Heartfire  - main courtyard of Corvin Castle
Dragonheart: Battle for the Heartfire – battle scene in the main courtyard.
Dragonheart: Battle for the Heartfire  - stairs to the Chapel.
Dragonheart: Battle for the Heartfire – the stairs going to the Chapel.

Below, the main courtyard of Corvin Castle today.
Right in front is the Matia wing. The same stairs as above can be viewed on the right side – leading to the Chapel Complex and the Neo-Gothic gallery.
On the left are the Knights Hall (ground level) and the Council Hall or Diet Hall (first floor).

Corvin Castle, main court: Matia wing in front, Chapel Complex on the right, Knights Hall and Diet Hall on the left
Corvin Castle, main court: Matia wing in front, Chapel Complex on the right, Knights Hall and Diet Hall on the left
Corvin Castle -  the Neo-Gothic gallery
Corvin Castle – the Neo-Gothic gallery

But when night falls, dragons return to Corvin Castle:

Dragonheart: Battle for the Heartfire - dragons in the night at Corvin Castle
Dragonheart: Battle for the Heartfire

Looking less scary during daylight, I admit. Right in front is the administrative palace and the Bethlen palace on the left (the square-ish building).

Corvin Castle,main court

Below, a view of the main court of Corvin Castle, looking towards the Bethlen palace and the administrative palace, while standing on the first floor balcony of the Matia wing.

Huniazi fortress

Initially built by the Anjou family on a Roman camp, in a zone dating from the Bronze age and rich in iron, along trade routes between Alba Iulia, Hunedoara and Hateg, Corvin Castle changed rulers, fought the Ottoman Empire, and it still stands, one of the seven wonders or Romania.

Corvin Castle, the history of a name

Its name derives from the regents who built it, Iancu de Hunedoara (aka John Hunyadi), and his son, Matthias Corvinus (King of Hungary between 1458 and 1490). The Corvin family was renowned for stopping the Ottoman Empire from conquering Belgrade and advancing towards Western Europe during the 15th century.

Not many know, but Vlad Tepes’ father, Vlad Dracul II, supported Iancu de Hunedoara’s campaigns against the Ottoman Empire. Later, his son, Vlad Tepes, aka Dracula, won great, significant battles against the Turks. The Corvin family was related to Vlad the Impaler, sharing a tumultuous history fitting for those dark times and filled with passions, conspiracies and betrayals…

The oldest door of Corvin Castle, 15th century, medieval
The oldest door of Corvin Castle, 15th century

I hope you enjoyed exploring medieval Romania and Corvin Castle. We left the door to Corvin Castle open – as we wish to return there. If not by train, then surely in the pages of a book…

Until then, you might like to read:
A Journey through the Medieval City of Sighisoara, Romania
Looking UP: Street Lamps from Brasov and Fagaras Castle, Romania
5 Remarkable Places You Will Want to Visit After Reading Silent Heroes, When Love and Values Are Worth Fighting for

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13 Books to Read at Halloween

13 books to read on Halloween

13 unique reads for thriller fans and the enthusiasts of the macabre or sombre comedy. If you like to sleep with your lights on, pick one book from my 13 for Halloween list.

1. The Thirteenth Tale by Diane Setterfield

The Thirteenth Tale Diane Setterfield

This book will give you the story of a mysterious writer with her own dark, ghastly past that will make your skin crawl. You will want to throw the book across the room to get rid of it, yet you won’t be able to, caught under its spell.
Blood-curling. Creepy. Disturbing.
Published in 2006.

2. Hallowe’en Party by Agatha Christie

Hallowe'en Party Agatha Christie

A Halloween classic that will make your hair stand on end, plus you get Ariadne Oliver to torment Hercule Poirot. When a children’s party goes wrong, only looking into the past will help solve it. Ghoulish. Eerie. Witty.
First published 1969.

3. Cross Bones by Kathy Reichs

Cross-Bones-Kathy Reichs

One of my favorites by this author, it takes you to excavations conducted on Mount Zion in Jerusalem. It has corpses, tombs, tight spaces, and forensic anthropology. This the Temperance Brennan #8 book, but can be read as a stand alone.
Frightening. Bone-chilling. Magical.
Published in 2005.

4. Silent Heroes, When Love and Values Are Worth Fighting for by Patricia Furstenberg

Silent Heroes - Patricia Furstenberg
Silent Heroes – Patricia Furstenberg

Sometimes violence, death, and gore are part of modern day history and we choose to ignore them, while making up our own versions, safer ones, of what Halloween looks like. A brutal read what life and humanity mean to the soldiers, the dogs and the civilians caught in the War in Afghanistan.
Petrifying. Real. Deadly.
Published in 2019.

5. Perfume: The Story of a Murderer by Patrick Süskind

Perfume by Patrick Suskind

A timeless, international sensation and a classic, this is a petrifying and unnerving read. A hauntingly powerful tale of murder and sensual depravity.
Omnius. Wicked. Haunting.
First published 1985.

6. The Pale Horse by Agatha Christie

The Pa;e Horse Agatha Christie

Death, witches, a spooky inn and Ariadne Oliver sleuthing. Published in 1961, The Guardian wrote: “the black magic theme is handled in a masterly and sinister fashion.”
Witchful. Superstitious. Spook-takular.
First published 1961

7. Dracula by Bram Stocker

Dracula Bram Stocker

Written as a series of diary entries, it has vampires, spooky locations and everyone will mention it, at some stage. And, no, it is not based on Vlad Tepes Dracula, or Vlad the Impaler, ruler of Wallachia, Romania.
Supernatural. Bloody. Fang-tastic.
First published 1897

8. Mary Shelley’s Frankenstein

Frankenstein Marry Shelley

Not many know, but the latent reasons behind Mary Shelley’s narration of Frankenstein is the death of her first child, Willy, whom she had thoughts to restore to life. A Gothic thriller and a passionate romance, Shelley wrote this book when she was 18 years old.
Black. Pagan. Eerie.
First published 1823.

9. The Phantom of the Opera by Gaston Leroux

phantom f  the opera

What would Halloween be without a ghost? Both a Gothic horror novel and a romance story, it will capture you and fill you with a terror that the musical could never emulate.
Moonlit. Chilling. Unearthly.
First published 1909.

10. The Complete Tales And Poems Of Edgar Allan Poe

The Complete Tales Poems Edgar Allan Poe

Pick this collection of ghastly stories for words that will stick to your skin like a cobweb. A classic, must-read from the pioneer of short stories.
Unearthly. Fear-inspiring. Strange.
First published in 1902.

11. It by Stephen King

It Stephen King 13 books for Halloween

A 1138 page horror novel by a haunting author and a book that has been refereed to in mass media more than we care to count to out loud. Read it quietly and with a friend near you or a clown will show up at your door. NOT for people suffering from coulrophobia.
Frightening. Nightmarish. Nasty.
First published in 1968.

12. The Master and Margarita by Mikhail Bulgakov

Master and Margarita Mikail Bulgakov

A dark and funny comic tale for lovers of satire and spine chilling reads. A book written in the Soviet Union between 1928 and 1940 during Stalin’s regime and censored by Stalin; first censored edition out 1966, full manuscript published in 1967 in Paris, after the author’s death.
Dark. Spine-chilling. Mischievous.
First published 1967

13. The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

First published in 1886, this Gothic novella can still hold the modern reader’s attention. For the book lovers of split personalities and classic horror.
Supernatural. Gothic. Occult.
First published 1886.

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Looking UP: Street Lamps from Brasov and Fagaras Castle, Romania, part 2 #travel #pictures

Street lights of Brasov

I hope you enjoyed looking up with me and discovering the intricate street lights of Bucharest, some separating the past from the present.

Brasov, Corona in Latin or Kronstadt in German, is a historical and cultural city found in the heart of Transylvania, in the heart of Romania, and not far from Sighisoara. It was first mentioned in 1235 and, not many know, it was the birth place of Katharina Siegel, the only woman Vlad Tepes (Dracula) is said to have ever loved.

One of my favorite places in Brasov is not a coffee shop… but Rope Street, Strada Sforii, dating from 17th century, the narrowest alley in Romania and one of tightest passages in Europe, initially built to facilitate a quicker access for firemen. Its width varies between 111-135 cm / 44-53 inch, measuring 80 m / 260 ft in lenght.

A lamp post bordering Strada Sforii, Rope Street, in Brasov, Romania. Image by @PatFurstenberg
A lamp post bordering Strada Sforii, Rope Street, in Brasov, Romania. Image by @PatFurstenberg

Now let’s walk along Rope Street, looking up:

A light street looking like an eye on Strada Sforii, Rope Street, Brasov. Image by @PatFurstenberg
A light street looking like an eye on Strada Sforii, Rope Street, Brasov. Image by @PatFurstenberg

Now look up and far, do you see the giant letters spelling BRASOV, placed high on Mount Tampa? And opposite the “eye” street light there is a mural of an eye!

"Eye" street light on Rope Street, Strada Sforii, and the Hollywood-style 'Braşov' sign up on the mountain. Image by @PatFurstenberg
“Eye” street light on Rope Street, Strada Sforii, and the Hollywood-style ‘Braşov’ sign up on the mountain. Image by @PatFurstenberg

Next I saw this classic looking street light and his friends, the red carnations:

A classic street light and red carnations in Brasov, Romania. Image by @PatFurstenberg
A classic street light and red carnations in Brasov, Romania. Image by @PatFurstenberg

This modern, yet lonely light pole, neighboring an old, solo attic window, caught my attention:

A modern street light near an old attic window in Brasov, Romania. Image by @PatFurstenberg
A modern street light near an old attic window in Brasov, Romania. Image by @PatFurstenberg

The lamp post below is placed on Schei Gate. Down from here is Schei Gate Street where Katharina Siegel lived with her family, at number 20. Back then the street was called White Lane, Ulita Alba.

Lamp post on Schei Gate, Poarta Schei, Brasov. Image by @PatFurstenberg
Lamp post on Schei Gate, Poarta Schei, Brasov. Image by @PatFurstenberg

This light post, looking like Little Bo Peep’s curly stick, is located exactly in front of Katharina Siegel’s house, the light green one with three windows visible on the first floor and two windows on the attic:

Street light in Brasov, Romania. Image by @PatFurstenberg
Street light in Brasov, Romania. Image by @PatFurstenberg

I wonder if Vlad Tepes would have approved with this street light or he would have preferred something like these:

Street lights of Brasov, Romania. Image via@PatFurstenberg
Street lights of Brasov, Romania. Image via@PatFurstenberg

The street light attached to buildings seem to have such elegant arms and top caps, don’t you think?

Speaking of green houses, and the buildings of Brasov are vibrant, here is a street light matching its residence:

A green street light in front of a green house, Brasov, Romania. Image by @PatFurstenberg
A green street light in front of a green house, Brasov, Romania. Image by @PatFurstenberg

I looked up next and saw an elegant lamp post perched on a green building (what shade is this – sea foam, mint?), next to an entire row of red carnations:

Green buildings in Brasov, lampshades, red carnations. Image by @PatFurstenberg
Green buildings in Brasov, lampshades, red carnations. Image by @PatFurstenberg

I called this street light a serenading one, it just seems to be serenading the window placed above:

A serenading street light in Brasov, Romania. Image by @PatFurstenberg
A serenading street light in Brasov, Romania. Image by @PatFurstenberg

Now this street light looked like it was doing a split across the road:

A lamp post doing a split in Brasov. Image by @PatFurstenberg
A lamp post doing a split in Brasov. Image by @PatFurstenberg

Shadows come out in plain daylight too:

Street lights and shadows in Brasov. Image by @PatFurstenberg
Street lights and shadows in Brasov. Image by @PatFurstenberg

Believe it or not, this all dressed up lamp post was affixed to the building of the National Bank:

Spirals and leaves on a cast iron in Brasov. Image by @PatFurstenberg
Spirals and leaves on a cast iron in Brasov. Image by @PatFurstenberg

A frosted lamp post against a marble wall. It reminded me of iced cappuccino.

A frosted lamp post against a marble wall in Brasov. Image by @PatFurstenberg
A frosted lamp post against a marble wall in Brasov. Image by @PatFurstenberg

When two windows whisper to each other over a lamp posts and red carnations bend over the balcony to thank a street light, you have to stop and look up:

Street lights from Brasov. Image by @PatFurstenberg
Street lights from Brasov. Image by @PatFurstenberg

The lamp post next to the window that wasn’t meant to be:

The lamp post next to the window that wasn't meant to be. Brasov. Image by @PatFurstenberg
The lamp post next to the window that wasn’t meant to be. Brasov. Image by @PatFurstenberg

On Mount Tampa, the light poles are as tall as the trees. And so is the passion of those who keep them looking neat, such as this old Lady who was painting them on a hot summer’s day.

Lamp posts on Mount Tampa, Muntele Tampa, Brasov. Image by @PatFurstenberg
Lamp posts on Mount Tampa, Muntele Tampa, Brasov. Image by @PatFurstenberg

In Brasov Council Square, Piata Sfatului, light poles are as pretty at bell flowers.

In Brasov Council Square, Piata Sfatului, light poles  are as pretty at bell flowers. Image by @PatFurstenberg
In Brasov Council Square, Piata Sfatului, light poles are as pretty at bell flowers. Image by @PatFurstenberg

Last two pictures of lamp posts, and I hope you made it this far, are from Fagaras Fortress, built in 1310 on the site of a former 12th century wooden fortress:

A hand-help light inside Fagaras Fortress. Image by @PatFurstenberg
A hand-help light inside Fagaras Fortress. Image by @PatFurstenberg

Do you see the wire sculpture of a man on the horse? On the grounds of Fagaras Fortress there are plenty of modern light poles:

Light poles and the wire sculpture of a man on a horse on the grounds of Fagaras Fortress. Image by @PatFurstenberg
Light poles and the wire sculpture of a man on a horse on the grounds of Fagaras Fortress. Image by @PatFurstenberg

I hope you enjoyed the street lights of Brasov. Next in the #LookUp series are the lamp posts of Constanta and Mamaia, by the Black Sea!

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