A Journey through the Medieval City of Sighisoara, Romania

Winter Journey to Medieval Sighisoara, Romania

If you journey through Transylvania, ‘the land across the forest’, (searching for Vlad Tepes, Vlad the Impaler or Dracula) and head towards Brasov along the banks of the Big Tarnava River, you will surely spot from quite afar the pointy towers of medieval Sighisoara City, with its centuries old fortress and churches. We traveled there by train one winter.

I give you the ‘Pearl‘ and the ‘Nürnberg‘ of Transylvania, Sighisoara!

A brief history of Sighisoara

Nearly two millennia ago here rose a Roman castrum, a military fortified camp for guarding the roads. But more proof of local human settlements dates back to the Bronze Age.

Looking at Sighisoara fortress from the Lower City
We see the fortress up on the hill, as we cross the river over Tarnava Mare

Sighisoara as we know it took shape during the 12th century when Saxon merchants and craftsmen settled here for a few reasons…

First, to defend against Tatar invasions the eastern and southern borders of the Hungarian Kingdom, formed at the beginning of the Middle Ages on the Pannonian Plain. This border was none other but the line of River Târnava Mare.

Second, in search of a better life. These settlers, who chose the banks of the slower Saes river to build their homes, were soon known as the Transylvanian Saxons. By the 14th century, Sighișoara was a well known royal center with the status of an urban settlement, Civitas de Segusvar, and by the 15th century its guilds had received the sole right to its administration.

As it was the custom during the Middle Ages, captains ruled such territories, or royal citadels, and these captains obeyed the Prince of Transylvania which, in turn, was a vassal of the King of Hungary.

Yet there was a third, less known reason. As the people already living in this land were Christians and the Pope loved converting new territories to Catholicism, the plan of populating this area with Saxons emerged. So, over the centuries, in Transylvania arrived first the military contingents, then the Saxon merchant settlers.

Dominican monks also settled here at the end of the 13th century, followed by the Franciscans.

Sighisoara view
Admiring Sighisoara from the very top of the hill

Today, a journey through the medieval city of Sighisoara is time-travel at its best, as this is one of the few preserved medieval cities still found in Europe and the only one fully inhabited found in Romania.

Sighisoara – the etymology of a town’s name

Castrum Sex, Castle Six, was the name of the fortress that existed here prior to the apparition of the first Hungarian military contingents. This fortress was first attested at the beginning of the 13th century, before being almost completely destroyed by Tatars.
Later we hear the name Castrum Sches, from Hungarian seges, or citadel, although it makes more sense to connect the fortress’ name with that of one of the rivers that run through it, river Şaeş.

Other names used for Sighisoara during the Middle Ages were Segusvar and Segeswar, as well as the German Schägesburh.

Vlad Dracul, Prince of Wallachia, was the first one to use the Romanian transcription of the town’s name, Schegischone, in a document from July 1st, 1435.

Sighisoara City – a layout with a purpose

One of the things I enjoyed about our journey around the medieval city of Sighisoara was that everything is within walking distance. Although the train station’s location is in the Lower City, Sighisoara’s modern area, it is easy to spot the walled fortress, atop a hill in the Upper City. The medieval citadel rises, colossal and gray, yet within close range, accessible through a bridge spanning across Tarnava Mare River.

Encircling Sighisoara fortress, one can very well admire the original defensive wall with its towers and bastions.

To recognize the craftsmen’s importance, each guild – and there were ten such associations in Sighisoara – received a tower of the citadel’s fortification. Thus, each guild was responsible for its own administration and it is still easy to guess which guilds were the most productive ones, as their towers are the best-preserved ones, and the biggest: Tailors’ Tower, Tin-makers’ Tower, and Goldsmiths’ Tower. But, above all, stands the 14th century Clock Tower and through here we made our entrance into the Sighisoara fortress.

The guilds were important as they fought against those who practiced the profession illegally. Also, their members enjoyed privileges with the Wallachian rulers.

Sighisoara City Map (Harta Orasului Sighisoara)
Sighisoara City Map (Harta Orasului Sighisoara) source

The story of the fortresses’ ramparts and towers

Apart from its 164 houses, what we admired the most during our journey through the medieval city Sighisoara were its 930 meters long defense wall and towers. Why so many – for such a small fortress?

During the Late Middle Ages, sadly, the danger of the Ottoman Empire escalated. Therefore, the first mention of a wall around Sighisoara fortress dates back to 1490. The very first wall elevation showcased crenelations and rose only 3-4 meters in height, principally intended for arbalesters (crossbowmen).

16th century came and the bastion rose by two extra meters. Meurtrieres were now built in the wall, either as floor-holes (for dropping hot substances onto the attackers) or as loopholes (arrow slits or cannoniers). After the big fire of 1676, the fortress’ wall was 8 – 10 meters in height.

Let’s make our way inside this incredible medieval fortress.

The Clock Tower

Placed on the eastern side of Sighisoara’s defense system of walls and towers, closer to sunrise, to mark its value, the Clock Tower was the first to welcome us on our journey. On a follow-up blog post we’ll have a detailed look at the other towers, each one with its own incredible history, but for now let’s start here.

The Clock Tower is the main entrance in the fortress and the first spot we visited during our journey through the medieval city of Sighisoara.
The Tailors’ Tower, on the opposing wall of the fortress, is the second way into the citadel.

Yet it is the Clock Tower that hides a few symbols.

Massive and everlasting, the Saxons built their Clock Tower out of a myriad of humble river stones handpicked from the banks of the nearby rivers. Each stone is insignificant on its own, their strengths coming from their number, much as a king’s army. Erected with the intention of being the main entrance in the fortress the Clock Tower, fortified accordingly, had only two levels. Its walls are 2.3 meters thick and three gates defend it, while its belly protects the stairway connecting the Upper City with the Lower City.

Only a handful of visitors know that the Clock Tower is a symbol of Transylvanian Saxons’ pride and craftsmanship. They desired to build the biggest, tallest clock tower in the principality – as horology had a long tradition here, since the 14th century.

The only path into the fortress takes you underneath the tower itself. It is the Front Gate ensemble and part of the tower’s barbicane, a fortified outpost.

journey medieval city Sighisoara

In 1844, inside the barbicane a courtyard appeared, the Old Ladies’ Corridor that you can see here. This is a wooden passage meant to ease the aged peasants’ access into the fortress, during heavy winters.

Sighisoara, Old Ladies' Corrisod - Galeria Doamnelor Batrane

Into the fortress we go, underneath the Clock Tower, through the belly of the beast:

Sighisoara: main entrance in the fortress, underneath the Clock Tower

And emerging into the fortress. The visitors’ entrance in the Clock Tower is immediately on the right-hand side. The ground level of the tower dates back to the 14th century.

Similar to the second gate tower, the Tailor’s Tower, the Clock Tower has a rectangular floor plan and a ground floor with two vaulted gates over the passageway.

Soghisoara Fortress - the visitorts' entrance in the Clock Tower

Hard to guess, but the Clock Tower, or the Big Tower of the Front Gate, reaches a height of 64 meters, of which 34 meters is the roof alone!

I admired the central, pointy roof with its baroque embellishments and its own main tower surrounded by four smaller ones, each rising at 12.5 meters. These four towers are a symbol of the city’s own judicial autonomy, right of the sword, meaning that back in the Middle Ages the Sighisoara City Council could give the death sentence and executions were also performed in the City Square.

The Clock Tower. journey medieval city sighisoara
The Clock Tower, Sighisoara

Unlike the other wall towers, each belonging to a guild, the Clock Tower belonged to the public authorities serving as headquarter for the City Council. Master builders added the upper levels during the 15th and 16th centuries and when the great fire of 1676 destroyed the roof, Austrian craftsmen built a new one in 1677.

The top of the Clock Tower, Sighisoara

At the very top is a golden sphere, atop which a wind vane in the shape of a rooster still stands. The bulb-shaped roof stands as the oldest proof of Baroque influence in Transylvania.
The golden sphere is a symbol of local power and has a diameter of 1 meter. Why? Because it is a time capsule hidden in plain sight. Inside you would find a copy of the Chronicles of the Clock Tower by Georgius Krauss as well as documents pertaining to the history of Sighisoara and that of the Transylvanian Saxons.

The Sphere, the Crescent and the Double-headed Eagle of Sighisoara

At the very top of the Clock Tower is a rooster weather-vane. But underneath, between the rooster and the golden sphere, now this is an entirely different story.
We now see the double-headed eagle, a symbol of the Austrian Empire between 1867 and 1915.
During the tower’s refurbishing from 1677 the three builder masters placed here a Turkish crescent, surely under political orders, meant to remind the people of Sighisoara of the Ottoman Empire’s ruling.
The crescent got damaged in 1704 by local insurgents or curuti, from Hungarian kuruc. New work on the Clock Tower was only possible in 1776. Then the double-headed eagle, in a nod towards the Austrian Empire’s authority, replaced the crescent.

A time capsule and hidden symbology of Clock Tower and its very top. Journey medieval city Sighisoara
The Sphere, the double-headed Eagle and the golden sphere – symbology in Sighisoara

The roof, as we see it today, dates back to the 19th century. It uses hexagonal, glazed shingle tiles in shades of red, yellow, blue, green, and white. Mostly birds, able to fly this high, can enjoy such intricate details.

The Clock Tower's roof  has glazed shingle tiles in shades of red, yellow, blue, green, and white. Medieval Sighisoara.
The Clock Tower’s roof has glazed shingle tiles in shades of red, yellow, blue, green, and white.
journey medieval city Sighisoara
The Clock Tower’s roof as we saw it on a winter’s day.

Yes, we climbed to the very top, to the balcony you see above – the sixth level of the Clock Tower.

Imagine living here in the late Middle Ages. The Tower, the tallest structure for miles, protecting you, and beside the sun, the keeper of time and your only measure for the time of day and the day of the week. Yet the tower was much more than that, for during important celebrations an orchestra would climb to the balcony placed at its very top and perform music that reached every corner of the fortress as well as those living outside its walls, in the Lower City.

And looking up at this medieval giant you will want to watch out, as the slits and murder holes are still visible:

The Clock Tower in Sighisoara - Medieval, solid rock.
Looking up at the Clock Tower in Sighisoara – Medieval, solid rock.

The two faces of Sighisoara’s Clock Tower

Well worth noticing as you journey towards and through the medieval city of Sighisoara are the two faces of the Clock Tower, on its fifth level.

The best feature of the Clock Tower is on the fifth level, its 17th-century clock mechanism. In 1648 craftsman Johann Kirtschel even improved its system. He included a minute hand, added quarter-hour chimes and the one-meter tall wooden statues representing the days of the week.

Facing the Upper City or the inner fortress we can see a niche carved in the tower, holding statues and located to the left side of the 2,4-meter diameter clock dial.
Here, Peace holds a trumpet and an olive branch, near a Drummer who marks quarter hours and full hours.
Also, two statues in blue dresses symbolize Righteousness, with her eyes covered, holding a raised wooden sword and Justice, with laurels on her head, holding a scale. Yes, here Righteousness has her eyes covered and not Justice.

Later, two more statues appeared here, placed right at the top, two angels. At 6 AM the Angel of Day shows up, with flames above his head, holding a burning heart, replaced at 6 PM by the Angel of the Night, holding a torch in each hand.

On the clock’s side facing the Lower City, we can admire a horse and a drummer as well as seven 80 cm tall statues depicting seven Roman gods, symbols of weekdays: Diana / Artemis, Mars, Mercury, Jupiter, Venus, Saturn, and the Sun.

Sighisoara - the Clock Tower - Turnul cu Ceas
The Clock Tower, the clock’s face and the statues’ niche its the left side as seen from the Upper City, the inside of Sighisoara fortress.
The Clock Tower in Sighisoara: the inner, fortress' side: spot Peace with a trumpet and an olive branch and the Drummer
The Clock Tower: the statues placed bellow represent Peace, with a trumpet and an olive branch, and the Drummer .
journey medieval city sighisoara. The Clock Tower, the clock's face and the statues' niche its the right side as seen from the Lower City, the  outside of Sighisoara fortress.
The Clock Tower, the clock’s face and the statues’ niche its the right side as seen from the Lower City, the outside of Sighisoara fortress.

The Seven Statues of Sighisoara’s Clock Tower

Diana / Artemis, the goddess of hunting, depicted in a blue dress holding a bow and arrow; she has a half-moon over her head, the alchemist’s symbol for silver.
Mars / Ares god of war, holds a spear and wears a helmet with a feather, and above is the chemical symbol for iron, also a symbol for the star sign Ares.
Mercury / Hermes, the god of commerce, holds a caduceus in his right hand and a bag with money in his left and has a pair of wings at his helmet and another pair at his heels. Above his head is the symbol for mercury or quicksilver – just like his temper.

Jupiter / Zeus, the god of sky and the King of gods, depicted with his right foot resting on a globe, holds a lightning rod in his right hand and a thunder in his left. Above his head we find the alchemy symbol for tin, looking like a 24.
Venus / Aphrodite, the goddess of beauty and love, has the alchemy’s symbol for copper, passion, above her head and a winged cupid.
Saturn, the god of agriculture and abundance, has the symbol for lead above his head.
Sun / Sol / Helios, depicted as a female goddess with a crown of golden rays, the symbol for gold.

The Warning Statue, a Vestige of Sighisoara’s Medieval Past

But the traveler is also warned on his journey, long before he approaches the medieval city of Sighisoara. Can you read the signs?
Two lone statues are easily spotted underneath the seven peaceful ones, depicting days of the week and crafty symbols. One of these two statues is a drummer, matching the one on the other side of the clock tower, and hammering away as the bells chime.
Lo and behold for next to him stands an executioner, who once held in his hands a whip and a hatchet…

Going up into the medieval Clock Tower of Sighisoara

220 years old, the Clock Tower’s museum is a place worth visiting. One can admire coins, weapons, medieval pharmacy equipment and a detailed layout of the fortress.

Up until 1566, the rooms located on the tower’s first floor accommodated the Council’s City Hall.

going up in the Clock Tower of medieval Sighisoara

But what you do want to visit is the roofed gallery at the very top, hugging the clock tower all around.

Up here a 360 degrees panoramic view of Sighisoara unfolds in front of your eyes.

We spot the bridge over Tarnava Mare River that connects the Lower City with the Upper City.

If you dare count, you will see over 150 medieval houses clustered in the old town, their red roofs and the stone-paved streets where once kings, artisans, and even Vlad Tepes strolled.

over 150 medieval houses are clustered in the old town of Sighisoara
There are over 150 medieval houses clustered in the old town of Sighisoara

There, on the left, below, is the house where Vlad Tepes, Vlad the Impaler, Dracula, was born. We’ll go there soon. Meanwhile, have you noticed the slanted roofs powdered with snow?

journey medieval city sighisoara

From the top of the Clock Tower, we even had a glimpse back in time, through the history of Sighisoara. The Church on the Hill, dating back to the beginning of the 14th century, was one of the first constructions the Transylvanian Saxons built:

The early 14th century Church Hill as seen from the top of the Clock Tower.
The early 14th century Church Hill as seen from the top of the Clock Tower.

From the Clock Tower’s top balcony one can get a panoramic view of the world as well. How good is your eyesight? Can you see as far as Moscow?

Clock Tower - 1368 km to Moscova, Moscow

Measuring from the Clock Tower, Vienna is 656 km away, Rome 1.096 km, Paris 1.680 km, London 1.872 km, New York 7.431 km, Tokyo 8.890 km, and Sydney 15.438 km away.

Sighisoara, Clock Tower - 14 025 kn to South Pole

It looks like someone has left a secret message for us. Can you decipher it?

footsteps in the snow in Sighisoara - a secret message?

As a child, Vlad would have played hide-and-seek through this passageway when he was a lad of five. Lucky times as later, during the 18th century, this small space became a prison. For when the Clock Tower was first built there were two dark passageways running through it – what better place for children to play?

After the great fire of 1676, when the tower was rebuilt, one of these passageways became a torture chamber / jail. In this very space the convicts had their hands and feet tied in chains. As a way of torture the convicts were tied to the infamy pole, in the city square, with 6 kilograms river stone hanging around their necks, for all to see.

The Clock Tower, Sighisoara. A secret saide gate. Vlad Tepes would have played hide-and-seek here when he was a lad of five.

Go ahead, take a peek:

I am sure that, as a child, Vlad would have engaged in snowball fights and even built animals out of snow. On the patch of snow you see above, we built a dragon to honor Vlad’s name derived from the Order of the Dragon awarded to his father:

A Dragon of snow in Sighisoara
A snow dragon in Sighisoara

I hope you enjoyed our journey through the medieval city Sighisoara thus far.

If I were you, I would follow this blog as there are three more legs to this journey: a visit inside at the house where Vlad Tepes, (Vlad the Impaler or Dacula) was born, a walk around the medieval towers of Sighisoara fortress, as well as a pair of horns on a building, a mysterious stairway, and a graveyard.

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Symbolism in Silent Heroes, the Story behind it via @PatFurstenberg #symbolism #fiction #history #writerslife

Symbolism in Silent Heroes

I still remember attending my first lecture on symbolism . My own studies were as far from literature and art as the moon is from the man who occupies it.

I was studying medical dentistry when a friend and I went to the University of History and Art to attend a lecture on symbolism in art. It was late one evening when we opened the massive door leading to a cosmic-size amphitheater packed with excited faces.

Happiness can be found anywhere. Sometimes you just need to search harder or ask for someone to help you discover it. A US Marine, his MWD, military working dog and Afghan boys.
Happiness can be found anywhere. Sometimes you just need to search harder or ask for someone to help you discover it. A US Marine, his MWD, military working dog and Afghan boys.

Used to look at dead bodies laying on an autopsy table, to squint inside them while trying to discern the shriveled femoral nerve from the already gray artery, I was struck by the excitement short-circuiting everyone attending the lecture and the amount of information hidden in plain view, underneath layers of colorful paint.

I was hooked and, although I may not have earned a degree in art, the keen interest in symbolism has sipped into my pores for good.

Symbology - 'In God we Trust'.  (Army Photographic Competition 2012 - Pro Portfolio winner; Photo by SSgt Nesbit RLC/MoD/Mandatory Credit Crown Copyright via Getty Images)
‘In God we Trust’. (Army Photographic Competition 2012 – Pro Portfolio winner; Photo by SSgt Nesbit RLC/MoD/Mandatory Credit Crown Copyright via Getty Images) These include a simple disk with a cross cut out which he wore with his identity (Dog) tags, and an American coin dated 1988, the year of his birth. The soldier who wanted to remain unidentified carried these with him all the time whilst he served in Afghanistan on Operation Herrick 15 for luck.

Was symbolism introduced in “Silent Heroes” intentionally?

On writing “Silent Heroes” I did not plan to include symbolism. It wasn’t a voluntary act, like research had been, or plotting the outline of the story, building my characters. Including symbolical elements was a work of my sly subconscious mind. It’s been the work of my cerebellum, you can say. Anatomy having its own play over art.

I do not expect readers to pick up on the symbolism used or to interpret it in the same way. I think this is very much connected to how our minds are wired. Some of us see things that others don’t, because they are not important to them. I does not mean that the first group hallucinates, or that the second group is inattentive.

The Purple Sunbird, (Cinnyris asiaticus) is found in the dry zone from the Arabian Peninsula into Iran, Afghanistan, Pakistan until the dry zone of Rajasthan and Gujarat.
The Purple Sunbird, (Cinnyris asiaticus) is found in the dry zone from the Arabian Peninsula into Iran, Afghanistan, Pakistan until the dry zone of Rajasthan and Gujarat.

Has symbolism in “Silent Heroes” been consciously manipulated at any stage during the writing process?

Now, this would imply that, at some stage during the writing of “Silent Heroes“, I picked up on some symbols introduced in the story-line. Which I did. Once I became conscious of the implications these symbolism will have on the narrative, I kept developing that thread. I did not removed it, since it was introduced organically and not voluntarily.

I felt that if I will remove the symbols, the story will be less rich, the characters, at least some of them, will lose their credibility. And myself, as a writer, will lose the passion for the telling of the story of these “Silent Heroes“, passion that had fueled me for over two years.

A book thrown in the dust.
A book thrown in the dust.

Can other symbols be discovered in “Silent Heroes”?

Other symbols, besides the ones my subconscious mind placed and my conscious mind picked up? I believe so, as I trust the reader’s creative minds as well as the connection I hope they will establish this book.

Lady Tulip - Tulipa clusiana From Afghanistan, Iran, Iraq, Pakistan and the western Himalayas
Lady Tulip – Tulipa clusiana From Afghanistan, Iran, Iraq, Pakistan and the western Himalayas

Is symbolism for real?

Is air real? Is the language we speak real? Is the sky blue? Humans have a innate ability and desire for creating things out of nothing. Buildings out of dust, worlds out of words, art out of dreams.

And humans also need to communicate. Writers communicate through their books. Language itself is a symbolic form of communication. Symbols used by artists, and therefore by writers, are placed – subconsciously or not – to help channel the results of their work. The end product. Much like a painter creating a portrait, an architect, a building that lasts, writers stir their stories using symbols, where appropriate.

The journey a writer takes when creating a book is anchored in his dreams and imagination, but it is stirred by the hidden symbolism which is also a product of his own mind.

A gardener and his garden in Afghanistan. Afghans are avid garners.
A gardener and his garden in Afghanistan. Afghans are avid garners.

Images of symbolism in “Silent Heroes” *****SPOILER ALERT*****

Without spoiling the plot, I will list a few of the symbols I unconsciously introduced in my latest work of fiction “Silent Heroes, When Love and Values Are Worth Fighting for”.

An Afghan butterfly on a soldier's sleeve.
An Afghan butterfly on a soldier’s sleeve.

You do not have to read past this point if you have not read “Silent Heroes” yet. You can have a sneak peek here.

You could skip the very short, last paragraph, and return to it after reading “Silent Heroes”.

Silent Heroes, When Love and Faith Are Worth Fighting for
Silent Heroes, When Love and Faith Are Worth Fighting for

Some of the symbols found in “Silent Heroes” are:

Qala-e-Bost Fortress, Afghanistan
Qala-e-Bost, Afghansitan

The blue bird.

The book in the dust.

Qala-e-Bost Fortress.

Poppy flowers.

The Afghan garden.

What do they symbolize?

I suggest you don’t go past this point if you haven’t read “Silent Heroes” yet. First read the book, then return and see if your thoughts and mine converge.

Symbolism in Silent Heroes
Symbolism in Silent Heroes

To me, the blue bird symbolizes the spirit of Emma’s mother, as well as hope in another chance for happiness. A reminder that hope exists, no matter what situation we find ourselves in.

The book in the dust symbolizes the disrespect for human life and human wrights. Books are a well of wisdom and the product of hard, assiduous work. They don’t belong in the dirt, just like human life does not.

Qala-e-Bost Fortress symbolizes the upright spirit of the Afghan people, still standing after centuries of wars and oppression. And just like the people of Afghanistan, through its architecture, it is deeply rooted in its land, drawing strength from it.

Poppy flowers are both a symbol of the blood spilled in Afghanistan and of the never-ending struggle for survival of the Afghan people. Poppies are extremely resilient, they can grow under harsh weather conditions, although they look so fragile. But poppies are also deadly plants in the sense that farming them caught so many innocent souls in the loop of poverty and addiction.

The Afghan Garden symbolizes Heaven and hope in a land devastated by wars. Just as Heaven transcends all spirits and gods, being present in all religions, all people, no matter of their religion, sex or skin color, are equal in the eyes of God.

Have you discovered other symbols after reading “Silent Heroes“? Tell me about them, I’d love to hear from you.

Silent Heroes by Patricia Furstenberg
Silent Heroes by Patricia Furstenberg

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Orthodox Easter Eggs, folktales, symbolism, traditions via @patfurstenberg #culture #history

It was an erstwhile custom that a mother, no matter how elderly or ailing she felt, would take it upon herself to bring food to her lad bided elsewhere as soon as the snow thawed and the first white spring shoots pierced the ground.

A folktale tells that Mary, the mother of Jesus, took it upon herself to visit Jesus in Jerusalem and thus she packed a basket with fresh eggs. It wasn’t much else she could take him, Herod having just increased his taxes, again.

The road was winding through the verdant green hills of Judea and Mary’s heart felt light for each step brought her hither to her son, which she hasn’t seen in a long time. As the morning progressed her own shadow became but a puddle by her feet. Soon enough the basket began feeling heavier and heavier in her work-worn hand and her steps became slower and slower and she felt like her journey to Jerusalem had become a quest for shade. Not many trees were in bloom so as soon as Mary spotted a stream sheltered by a little arbor she quickened her step and stopped to cool and quench her thirst. It was a thirst like she had never felt before.  So she looked about and decided to stop for a few moments.

The stream singed and Mary saw a new nest above her head and smiled. Life was precious. The water moved softly over her fingers and, when she removed her hand, a few droplets lingered on her fingers. She brought the hand to her eyes and smiled, a whole life scene embedded in those tiny see-through pearls.

It was a peaceful moment and life’s moments were just like this string of beads following each other on her outstretched hand. Each one connected to the next, stronger together. Filled with love.

But it was time to move along. Before getting up something tugged at her heart and Mary lifted the white cotton fabric that covered the basket to see if the eggs were still in good shape.

A dreadful sight unfolded before her eyes. It was as if the sun had stopped shining, no gurgling from the stream could glide through the air and all proof of life on earth had been stamped out.

The eggs had turned blood red and the Blessed Mother of Jesus understood that the time had come for her son to pay for our sins. But she was first a mother and he was her baby boy and so she wept, Mary did, and as her tears rolled down her cheeks and dripped onto the blood covered eggs they drew patterns, a cross, a star, lines and spirals.

When Mary reached the place where Jesus hang on the cross, she laid the basket at his feet and kneeled to pray. Then Jesus spoke and asked her not to cry for Him, but to share those blessed eggs with the people who believe in His resurrection.

***

This is why on the Orthodox Easter we color boiled eggs in red, we draw patterns on them and we share them with our loved ones, family, friends, colleagues, knocking egg against egg and saying: “Christ has risen,” and answer “It is true He has risen.”

Red easter eggs on the grass with flowers and blowballs, naturally colored easter eggs with onion husks. Happy Easter, Christian religious holiday.

The symbolism of the Easter egg

The hard shell of the egg symbolizes the sealed Tomb of Christ.

The cracking of the egg (through knocking) symbolizes His Resurrection.

The Ritual of coloring Easter Eggs

It is said that coloring Easter eggs is a sacred ritual. The day when one colors the eggs is special and no other activity will take place.

On counting the eggs that are to be colored, one doesn’t begin with one, but with “one thousand”, thus bringing wealth in the house for the remainder of the year.

The paint was already prepared, using different plants for different colors. GREEN – was made from walnut leaves, sweet apple skin. RED came from the leaf of a sweet apple, corn leaves or thyme. A special flower was used for YELLOW. Oregano was used to give the colored eggs a heavenly perfume.

The room where the eggs were painted was also special. No worried or upset person was allowed to step inside and no bad rumors or news of people who just passed away were allowed to reach the ears of the egg-painter.

Easter egg color symbolism

Easter eggs are nowadays colored in a rainbow of shades.

WHITE – means purity

RED – symbolizes the blood of Christ and life

BLUE – symbolizes the sky above, uniting us all

BLACK – means fertility

GREEN – means nature

YELLOW – symbolizes sun and energy

Orthodox Easter Egg Design Symbolism

A straight vertical line means life.

A straight horizontal line means death.

A double straight line symbolizes eternity.

A rectangle pattern – symbolizes thought and knowledge.

A sinuous line symbolizes water and purity.

A spiral means time and eternity.

A double spiral symbolizes the connection between life and death.

Cross – symbol for Christianity

A cross with additional small crosses at the end of each arm is a Russian cross.

A star – is called the “shepherd’s star”

A monastery – symbol of Christianity

Other motives used for decorating Easter eggs: bees, frogs, snakes, lambs, garden tools, fir tree, tulip, wheat.

Other traditions call for all the family members to wash their faces with fresh water on Easter morning, water from a container that holds a red egg and a silver coin. It is believed that the red egg brings good luck, good health, warn off evil spirits and all spells.

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