Plants are deeply rooted in Christianity and Romanian Folklore, this positive blend of cultural creations and ancient spirituality. Plants have been used as cures, in ritualistic traditions and for magic spells for centuries, all over the world. Let’s discover how a few of these herbs and flowers got their names in Romanian folklore, the legends behind it and their connection with Christianity.
Flower Sunday, Floriile or Palm Sunday
A special Christian celebration is on Palm Sunday: the day of Flowers, Floriile, Goddesses of Spring. Flora, in Roman religion, was the goddess of flowering plants and was the patron on month April. In Romanian folklore April is called Prier (from Latin aperio, to open, correlated with the opening of the buds’ leaves), and May is called Frunzar (leafy) and Florar (flowery).
So if you know someone whose first name is that of a flower, send them your best wishes on Palm Sunday, on Florii Day.
Sfintele Paști, Easter celebrations and Flowers: Wood Anemones and Violets
The wood anemones are Easter flowers and legend says that they sprouted from the earth wet by Jesus’ tears and that Saint Mary shared them to the four corners of the earth, at His request. Wood anemones have various nicknames in the folk tradition that symbolizes their strong correlation with Easter: the White Flower of Easter, the Flower of Blessed Friday, Easter’s Bread.
Folklore tradition calls for picking the White Flower of Easter this time of the year and decorating the Easter table with it as well as taking it to church as an offering on Good Friday. It is seen as a blessed flower.
Violets, too, are Easter flowers with a somehow mellow connotations. They represents young girls, children, metamorphosed into flowers. Is it pain, premature death that causes this? Certain is that violets are made into little crowns placed on the graves of young maidens or lads.
Plants and Christianity in Romanian Folklore
In Romanian folklore there are numerous plants named after Christian holidays, saints, Virgin Mary, and so on, depicting popular belief in the plant’s incredible powers in aiding the body and the soul.
Plain hogweed is called earth’ cross;
blue anemone hepatica is warrior’s cross;
orpine or livelong is Heaven’s Table;
bugleweed is God’s Mercy;
Mock Orange is Heaven’s Tree;
Sweet William is Priest’s Seat;
Rose Champion or Rabbit’s Ears is Saint Mary’s Belt;
begonia is Angel (îngeraș, probably due to the resemblance that popular imagination created between the angels’ wings and the plant’s leaves);
sage or Sage of the diviners is Virgin Mary’s Hand;
maidenhair fern is Virgin Mary’s Hair.
The common vervain, its Romanian meaning translating to God’s Arrow, is considered a holy herb, bringing wealth in the house and predicting the future too. It is believed to have grown first on the Mountain of Transfiguration and the plant can only be picked by fairies, Sânziene, who bring offerings before collecting it: bread, salt and a silver coin. It is believed that this specific plant helped heal Jesus’ wounds.
On the other hand Lunaria annua, honesty plant, is called the Plant of Thirty Silver Coins, Judas’ Plant and many banish it from their gardens.
The White Lily and its Symbology in Iconography
The white lily, Lilium Candidum, is believed to be Virgin Mary’s flower who is depicted holding baby Jesus with one arm and a white lily in her other hand. White lily is believed to be the first flower to ever be cultivated by humans and is associated with purity. Archangel Gabriel is also depicted offering Virgin Mary white lily after the birth of Baby Jesus. Saint Joseph is also depicted as holding Baby Jesus and a white lily as a symbol of purity and of Saint Mary.
We can clearly see that Virgin Mary is highly revered not only in the Christian Orthodox Church, but also in Romanian folklore. Yet by eighteenth century Carol Linnaeus), the founding father of modern scientific biological nomenclature, discouraged the practice of attributing names of saints to plants, a sign that scientific terminology was on its way towards gaining autonomy from the ancient naming practices.
Poppy flowers is believed to have been initially white. They turned red when a few drops from Jesus’ blood fell on them, underneath the cross. Since then poppy flowers are red, in remembrance of His sacrifice.
Basil in Christian Tradition and a Spell too
Basil is also a herb with deep christian connotations. It is associated with Jesus, Saint Mary and God. Romanian folklore says that basil first sprouted when Jesus was born, but also that it grew when Saint Mary wept by the Cross.
If maidens place under their pillow a strand of dry basil received from a priest, on the night of Boboteaza, Epiphany night,6 January, also considered the coldest night of the year, they can dream of their future husband. If they don’t dream that night they can try again on Sânziene Day, on 24 June.
On the same night maidens can take a handful of basil and go to a river, a running water. They dip the basil in water and then they wash their faces with it so they will be liked and loved by lads.
Basil and its role in Christianity and Romanian Folklore, Saint George’s Day, 23 April
To keep its holy powers basil must be planted on Saint George, on 23 April, and harvested on 14 September, on the day of the Exaltation of the Holy Cross. It is then hanged by icons till it dries.
Basil is considered holy because it has the power to turn water in holy water, agheasma, used in Christian churches.
On Easter, Christian believers wash their faces with the water in which they kept a basil, a red painted egg, and a silver coin – to be liked and loved.
On Saint George and Saint Andres old women hang basil tied with a red ribbon on the stable’s door so that the cow’s milk will flow on and on.
Siting under the shade of a tree
Myrrh, smirna, with its waxy branches and thorns, give us a resin that changes color from yellow to reddish, scented when burned and bitter to taste. Its scent a smoke are said to induce meditation and prayer and warn off any evil spirits.
Fascinating is how the effect of this resin spilled into the Romanian language. We say a sta smirna, meaning sitting quietly, or tacut smirna, meaning really quiet, as one would sit in meditation, which is exactly the effect of burning myrrh, smirna.
A branch from the bladdernut tree, clocotișul or clocoticiul, tied around your waist is said to warn off any evil spirits and no hail will bother you in your travels either.If you take these twigs to church on Easter Sunday their good powers will increase tenfold. Very long ago, before a woman would embark on a long journey she would fashion for herself a necklace made of young twigs of the bladdernut tree and wear it around her neck to warn off evil and not get lost Her courage will also increase, that she would be amazed by herself.
Also warding off evil spirits is the mugwort, a plant said to protect against pandemics too, so wear some around your neck.
Without any doubt, we can observe now everyday plants and flowers in a different light. From a sacred meaning to the scientific one, and through their legends, plants are so much more than they reveal to us. Don’t you think?
I hope you enjoyed reading about Plants in Christianity and Romanian Folklore. Do return for more herbal folk tales.
Rafik is the youngest character of Silent Heroes, a brave boy of about eight years of age with a big heart. He is an Afghan boy who takes a physical journey, but one of self-discovery and growth as well. Rafik is like any other civilian caught in a war zone. He is uprooted from his home village and what he does, traveling on a mission, is out of an instinct of self-preservation and desire to help.
Have you followed his journey so far? After arriving as an emergency at the medical facility of Camp Bastion Rafik ends up in the desert…
Away from his friends and their worry-free childhood.
At his mother’s desperate request, Rafik leaves the false safety of his village behind yet his plans spin out of control and he ends up at Camp Bastion, later named Camp Shorabak, an international military camp in Afghanistan with a state the art medical facility.
Rafik should have only went from his home village of Nauzad to the hamlet nearby. Yet he is now further south, near Lashkar Gah city and fortress. The fortress is on the banks on the Helmand River, hidden from direct view by a hill. Lashkar Gah has a rich history behind it, once was even the winter capital of the Ghaznavidi Empire. It belonged to the same Turkish dynasty that conquered Afghanistan a thousand years back, bringing Islam along.
Along these brown, rocky hills live farmers who breed sheep and camels, but Rafik meets none.
And he runs again… a little boy on a mission. I cannot hold his hand, he has to do it all on his own.
“A sense of foreboding took over him and his eyes shot open with a will of their own. A pair of grubby feet in dusty, old sandals and the edge of a filthy shalwar kameez appeared in his eye field as a menacing hand grabbed hold of his shirt collar, throwing him aside.”
Silent Heroes by Patricia Furstenberg
Run, Rafik! Run!
“The boy stopped dead after rushing through the last row of doors, blinded and dazed by the bright daylight. His eyes hurt, his body overwhelmed by the outside temperature as if he had hit a solid, arid wall of heat and sand. ‘Where am I, where had they gone?’
Behind him, the vacuum noise of the hospital doors sealed the insides in an encased gigantic hangar.
Ahead, past the perimeter fence, the deadly desert. Five flags, barely soaring in the wind, rose to one side. One of them, bright red like his mother’s best dress, displayed a white cross with a snake. Past the five flags, two dark silhouettes were marching in a cloud of dust, heading towards an unkempt gathering of mud-walled compounds that sprouted along a field of opium poppy. Above their heads and heading north, two Harrier jets roar, having just taken off from Camp Bastion’s airfield, their wingtips luminous against the clear sky.”
Silent Heroes by Patricia Furstenberg
And Rafik is gone again. Is he one of the Silent Heroes, soon to get lost in the Afghan desert? Not the right time, as it is the beginning of the long, scorching, and arid Afghan summer. Here, over the course of the year the temperature typically varies from 35°F to 108°F.
“Behind everything and everyone, dragging his feet under the midday sun and with only a gush of wind for a company came Rafik. Now crawling, now running, now letting himself fall to the ground in an attempt to conceal himself, looking more like a desert dog than a human being. For each stride the men took trough the sand, the boy’s wobbly legs took two, yet he pushed on, his eyes on the twin menacing shapes, his attention wrestling an army of questions, his legs moving forward with a mind of their own.
Silent Heroes by Patricia Furstenberg
Where will help come from? What shape will it take?
“As he stood above him, the dog seemed twice as big as the child due to his shaggy mane, thicker around the neck, and his reassured posture. His shoulder blades moved accentuating his strong physique, yet for all that muscle he was as gentle as the moon. In seconds, the boy’s face was covered in slobber, the dog’s sandpaper tongue sliding all over the pale skin, doing a perfect job at cleaning all the dried-out blood.”
Because of their isolation, deserts often symbolize clarity and revelation. Purity too, as they are unspoiled landscapes. Yet the desert is a difficult terrain, threatening, challenging. It is a symbol for challenges, both physical and spiritual. It is a struggle calling onto the traveler’s deepest reserves.
Yet there is no adversity between the spiritual and the physical. Although deserts have been seen as the ultimate purging landscape by hermits, prophets, seers, the ultimate holy ground, it is the spiritual strength they enhance in humans that eventually augments the individual.
Thus deserts, through the personal conflicts they call upon, bring humankind the closest to heavens.
Rafik’s journey through Silent Heroes does not end here, in the Afghan desert, with the mere warm support of a friendly military dog. There is more for this young boy to encounter and survive to before he can call his home a home again. Before he can close his eyes and fall asleep feeling secure in his own bed.
If a picture is worth a thousand words, then a book cover surely tells an entire story, giving out clues to the unexpected secrets hidden inside the pages it guards.
A few months ago I had the pleasure of writing a guest post or lovely Jen Lucas, Book Reviewer & Blogger extraordinaire 🙂 about the secrets hidden in the book cover of Silent Heroes. Without giving much away, know that I wrote about a soldier and his dog, a sunset and a pair of mysterious Afghan eyes.
But there is more to an image, as the colors used hold symbols and learning about them opens the mind to more secrets hidden in that book cover, in plain sight.
The choice of red, brown and gold colors for the Silent Heroes image cover was not coincidental.
Brown and its hidden meanings in my book cover
Brown is a color I began to associate with the Afghan desert, its mountains, and the desert camouflage uniform of the US Marines.
Brown is the earth, solid, reliable, our home. It this context brown symbolizes stability, warmth, reliability. Mother Earth means fertility for all nations, it nurtures us all, no matter of the language we speak. Zuhause, acasa, tuis, a casa, sa bhaile, дома, בבית, doma… home is where we belong and brown is its soil, although in many tints: auburn, copper, russet, terracotta.
Yet brown is also a war color. Brown are the soldier’s uniforms, their faces, covered in dust, their vehicles and their sandy tracks, brown are their tents and the wrappers of their prepacked meals ready to eat, MREs.
And also brown are the deserted villages where the last of the Afghanistan’s wars still take place today. Brown are the ruins that ones stood tall, the walls that ones heard the laughter of a woman and the squeal of a child, the singing voice of a father and the whisper of the night.
Gold, guarding the treasured secrets of a book cover
Where is all the wealth, you will ask, for gold is for riches.
Gold is the sun, I answer, in it’s daily promise for new hope, new beginnings, of warmth and cheer. The sun’ golden light shares courage and wisdom; don’t we see the world as a better place on a sunny day? Don’t we find life’s problem’s more manageable on a bright day?
And gold also symbolizes compassion and wisdom. Compassion, like the one shared by many soldiers in the lines of duty. Wisdom, reflected in the life choices of many civilians caught in battles. To show commendation, we award soldiers a gold star, yet so many citizens are deserving of it. I know at least two in Silent Heroes.
Red, guarding life-threatening secrets
Red is assertive, it speaks of passion, of rage and strong emotions. I thought it represents best the tumultuous history of Afghanistan, with its countless wars and struggles for power. The many foreign leaders that fought to own this piece of land, the wrath and malice they brought along, but also the determination of the Afghan people, they desire to set themselves free from aliens, their passion for freedom. In this context, red speaks of the loss of human life, of sacrifice, of action.
Red is also packed with emotions like passion, love (of life, of one’s country), but also fury and a quick temper, like that of many Afghan warriors.
Red is one of the colors of the Afghanistan’s flag, where it symbolizes the blood shed by those who fought for the country’s independence, but also progress.
If you journey through Transylvania, ‘the land across the forest’, (searching for Vlad Tepes, Vlad the Impaler or Dracula) and head towards Brasov along the banks of the Big Tarnava River, you will surely spot from quite afar the pointy towers of medieval Sighisoara City, with its centuries old fortress and churches. We traveled there by train one winter.
I give you the ‘Pearl‘ and the ‘Nürnberg‘ of Transylvania, Sighisoara!
A brief history of Sighisoara
Nearly two millennia ago here rose a Roman castrum, a military fortified camp for guarding the roads. But more proof of local human settlements dates back to the Bronze Age.
Sighisoara as we know it took shape during the 12th century when Saxon merchants and craftsmen settled here for a few reasons…
First, to defend against Tatar invasions the eastern and southern borders of the Hungarian Kingdom, formed at the beginning of the Middle Ages on the Pannonian Plain. This border was none other but the line of River Târnava Mare.
Second, in search of a better life. These settlers, who chose the banks of the slower Saes river to build their homes, were soon known as the Transylvanian Saxons. By the 14th century, Sighișoara was a well known royal center with the status of an urban settlement, Civitas de Segusvar, and by the 15th century its guilds had received the sole right to its administration.
As it was the custom during the Middle Ages, captains ruled such territories, or royal citadels, and these captains obeyed the Prince of Transylvania which, in turn, was a vassal of the King of Hungary.
Yet there was a third, less known reason. As the people already living in this land were Christians and the Pope loved converting new territories to Catholicism, the plan of populating this area with Saxons emerged. So, over the centuries, in Transylvania arrived first the military contingents, then the Saxon merchant settlers.
Dominican monks also settled here at the end of the 13th century, followed by the Franciscans.
Today, a journey through the medieval city of Sighisoara is time-travel at its best, as this is one of the few preserved medieval cities still found in Europe and the only one fully inhabited found in Romania.
Sighisoara – the etymology of a town’s name
Castrum Sex, Castle Six, was the name of the fortress that existed here prior to the apparition of the first Hungarian military contingents. This fortress was first attested at the beginning of the 13th century, before being almost completely destroyed by Tatars. Later we hear the name Castrum Sches, from Hungarian seges, or citadel, although it makes more sense to connect the fortress’ name with that of one of the rivers that run through it, river Şaeş.
Other names used for Sighisoara during the Middle Ages were Segusvar and Segeswar, as well as the German Schägesburh.
Vlad Dracul, Prince of Wallachia, was the first one to use the Romanian transcription of the town’s name, Schegischone, in a document from July 1st, 1435.
Sighisoara City – a layout with a purpose
One of the things I enjoyed about our journey around the medieval city of Sighisoara was that everything is within walking distance. Although the train station’s location is in the Lower City, Sighisoara’s modern area, it is easy to spot the walled fortress, atop a hill in the Upper City. The medieval citadel rises, colossal and gray, yet within close range, accessible through a bridge spanning across Tarnava Mare River.
Encircling Sighisoara fortress, one can very well admire the original defensive wall with its towers and bastions.
To recognize the craftsmen’s importance, each guild – and there were ten such associations in Sighisoara – received a tower of the citadel’s fortification. Thus, each guild was responsible for its own administration and it is still easy to guess which guilds were the most productive ones, as their towers are the best-preserved ones, and the biggest: Tailors’ Tower, Tin-makers’ Tower, and Goldsmiths’ Tower. But, above all, stands the 14th century Clock Tower and through here we made our entrance into the Sighisoara fortress.
The guilds were important as they fought against those who practiced the profession illegally. Also, their members enjoyed privileges with the Wallachian rulers.
The story of the fortresses’ ramparts and towers
Apart from its 164 houses, what we admired the most during our journey through the medieval city Sighisoara were its 930 meters long defense wall and towers. Why so many – for such a small fortress?
During the Late Middle Ages, sadly, the danger of the Ottoman Empire escalated. Therefore, the first mention of a wall around Sighisoara fortress dates back to 1490. The very first wall elevation showcased crenelations and rose only 3-4 meters in height, principally intended for arbalesters (crossbowmen).
16th century came and the bastion rose by two extra meters. Meurtrieres were now built in the wall, either as floor-holes (for dropping hot substances onto the attackers) or as loopholes (arrow slits or cannoniers). After the big fire of 1676, the fortress’ wall was 8 – 10 meters in height.
Let’s make our way inside this incredible medieval fortress.
The Clock Tower
Placed on the eastern side of Sighisoara’s defense system of walls and towers, closer to sunrise, to mark its value, the Clock Tower was the first to welcome us on our journey. On a follow-up blog post we’ll have a detailed look at the other towers, each one with its own incredible history, but for now let’s start here.
The Clock Tower is the main entrance in the fortress and the first spot we visited during our journey through the medieval city of Sighisoara. The Tailors’ Tower, on the opposing wall of the fortress, is the second way into the citadel.
Yet it is the Clock Tower that hides a few symbols.
Massive and everlasting, the Saxons built their Clock Tower out of a myriad of humble river stones handpicked from the banks of the nearby rivers. Each stone is insignificant on its own, their strengths coming from their number, much as a king’s army. Erected with the intention of being the main entrance in the fortress the Clock Tower, fortified accordingly, had only two levels. Its walls are 2.3 meters thick and three gates defend it, while its belly protects the stairway connecting the Upper City with the Lower City.
Only a handful of visitors know that the Clock Tower is a symbol of Transylvanian Saxons’ pride and craftsmanship. They desired to build the biggest, tallest clock tower in the principality – as horology had a long tradition here, since the 14th century.
The only path into the fortress takes you underneath the tower itself. It is the Front Gate ensemble and part of the tower’s barbicane, a fortified outpost.
In 1844, inside the barbicane a courtyard appeared, the Old Ladies’ Corridor that you can see here. This is a wooden passage meant to ease the aged peasants’ access into the fortress, during heavy winters.
Into the fortress we go, underneath the Clock Tower, through the belly of the beast:
And emerging into the fortress. The visitors’ entrance in the Clock Tower is immediately on the right-hand side. The ground level of the tower dates back to the 14th century.
Similar to the second gate tower, the Tailor’s Tower, the Clock Tower has a rectangular floor plan and a ground floor with two vaulted gates over the passageway.
Hard to guess, but the Clock Tower, or the Big Tower of the Front Gate, reaches a height of 64 meters, of which 34 meters is the roof alone!
I admired the central, pointy roof with its baroque embellishments and its own main tower surrounded by four smaller ones, each rising at 12.5 meters. These four towers are a symbol of the city’s own judicial autonomy, right of the sword, meaning that back in the Middle Ages the Sighisoara City Council could give the death sentence and executions were also performed in the City Square.
Unlike the other wall towers, each belonging to a guild, the Clock Tower belonged to the public authorities serving as headquarter for the City Council. Master builders added the upper levels during the 15th and 16th centuries and when the great fire of 1676 destroyed the roof, Austrian craftsmen built a new one in 1677.
At the very top is a golden sphere, atop which a wind vane in the shape of a rooster still stands. The bulb-shaped roof stands as the oldest proof of Baroque influence in Transylvania. The golden sphere is a symbol of local power and has a diameter of 1 meter. Why? Because it is a time capsule hidden in plain sight. Inside you would find a copy of the Chronicles of the Clock Tower by Georgius Krauss as well as documents pertaining to the history of Sighisoara and that of the Transylvanian Saxons.
The Sphere, the Crescent and the Double-headed Eagle of Sighisoara
At the very top of the Clock Tower is a rooster weather-vane. But underneath, between the rooster and the golden sphere, now this is an entirely different story. We now see the double-headed eagle, a symbol of the Austrian Empire between 1867 and 1915. During the tower’s refurbishing from 1677 the three builder masters placed here a Turkish crescent, surely under political orders, meant to remind the people of Sighisoara of the Ottoman Empire’s ruling. The crescent got damaged in 1704 by local insurgents or curuti, from Hungarian kuruc. New work on the Clock Tower was only possible in 1776. Then the double-headed eagle, in a nod towards the Austrian Empire’s authority, replaced the crescent.
The roof, as we see it today, dates back to the 19th century. It uses hexagonal, glazed shingle tiles in shades of red, yellow, blue, green, and white. Mostly birds, able to fly this high, can enjoy such intricate details.
Yes, we climbed to the very top, to the balcony you see above – the sixth level of the Clock Tower.
Imagine living here in the late Middle Ages. The Tower, the tallest structure for miles, protecting you, and beside the sun, the keeper of time and your only measure for the time of day and the day of the week. Yet the tower was much more than that, for during important celebrations an orchestra would climb to the balcony placed at its very top and perform music that reached every corner of the fortress as well as those living outside its walls, in the Lower City.
And looking up at this medieval giant you will want to watch out, as the slits and murder holes are still visible:
The two faces of Sighisoara’s Clock Tower
Well worth noticing as you journey towards and through the medieval city of Sighisoara are the two faces of the Clock Tower, on its fifth level.
The best feature of the Clock Tower is on the fifth level, its 17th-century clock mechanism. In 1648 craftsman Johann Kirtschel even improved its system. He included a minute hand, added quarter-hour chimes and the one-meter tall wooden statues representing the days of the week.
Facing the Upper City or the inner fortress we can see a niche carved in the tower, holding statues and located to the left side of the 2,4-meter diameter clock dial. Here, Peace holds a trumpet and an olive branch, near a Drummer who marks quarter hours and full hours. Also, two statues in blue dresses symbolize Righteousness, with her eyes covered, holding a raised wooden sword and Justice, with laurels on her head, holding a scale. Yes, here Righteousness has her eyes covered and not Justice.
Later, two more statues appeared here, placed right at the top, two angels. At 6 AM the Angel of Day shows up, with flames above his head, holding a burning heart, replaced at 6 PM by the Angel of the Night, holding a torch in each hand.
On the clock’s side facing the Lower City, we can admire a horse and a drummer as well as seven 80 cm tall statues depicting seven Roman gods, symbols of weekdays: Diana / Artemis, Mars, Mercury, Jupiter, Venus, Saturn, and the Sun.
The Seven Statues of Sighisoara’s Clock Tower
Diana / Artemis, the goddess of hunting, depicted in a blue dress holding a bow and arrow; she has a half-moon over her head, the alchemist’s symbol for silver. Mars / Ares god of war, holds a spear and wears a helmet with a feather, and above is the chemical symbol for iron, also a symbol for the star sign Ares. Mercury / Hermes, the god of commerce, holds a caduceus in his right hand and a bag with money in his left and has a pair of wings at his helmet and another pair at his heels. Above his head is the symbol for mercury or quicksilver – just like his temper.
Jupiter / Zeus, the god of sky and the King of gods, depicted with his right foot resting on a globe, holds a lightning rod in his right hand and a thunder in his left. Above his head we find the alchemy symbol for tin, looking like a 24. Venus / Aphrodite, the goddess of beauty and love, has the alchemy’s symbol for copper, passion, above her head and a winged cupid. Saturn, the god of agriculture and abundance, has the symbol for lead above his head. Sun / Sol / Helios, depicted as a female goddess with a crown of golden rays, the symbol for gold.
The Warning Statue, a Vestige of Sighisoara’s Medieval Past
But the traveler is also warned on his journey, long before he approaches the medieval city of Sighisoara. Can you read the signs? Two lone statues are easily spotted underneath the seven peaceful ones, depicting days of the week and crafty symbols. One of these two statues is a drummer, matching the one on the other side of the clock tower, and hammering away as the bells chime. Lo and behold for next to him stands an executioner, who once held in his hands a whip and a hatchet…
Going up into the medieval Clock Tower of Sighisoara
220 years old, the Clock Tower’s museum is a place worth visiting. One can admire coins, weapons, medieval pharmacy equipment and a detailed layout of the fortress.
Up until 1566, the rooms located on the tower’s first floor accommodated the Council’s City Hall.
But what you do want to visit is the roofed gallery at the very top, hugging the clock tower all around.
Up here a 360 degrees panoramic view of Sighisoara unfolds in front of your eyes.
If you dare count, you will see over 150 medieval houses clustered in the old town, their red roofs and the stone-paved streets where once kings, artisans, and even Vlad Tepes strolled.
There, on the left, below, is the house where Vlad Tepes, Vlad the Impaler, Dracula, was born. We’ll go there soon. Meanwhile, have you noticed the slanted roofs powdered with snow?
From the top of the Clock Tower, we even had a glimpse back in time, through the history of Sighisoara. The Church on the Hill, dating back to the beginning of the 14th century, was one of the first constructions the Transylvanian Saxons built:
From the Clock Tower’s top balcony one can get a panoramic view of the world as well. How good is your eyesight? Can you see as far as Moscow?
Measuring from the Clock Tower, Vienna is 656 km away, Rome 1.096 km, Paris 1.680 km, London 1.872 km, New York 7.431 km, Tokyo 8.890 km, and Sydney 15.438 km away.
It looks like someone has left a secret message for us. Can you decipher it?
As a child, Vlad would have played hide-and-seek through this passageway when he was a lad of five. Lucky times as later, during the 18th century, this small space became a prison. For when the Clock Tower was first built there were two dark passageways running through it – what better place for children to play?
After the great fire of 1676, when the tower was rebuilt, one of these passageways became a torture chamber / jail. In this very space the convicts had their hands and feet tied in chains. As a way of torture the convicts were tied to the infamy pole, in the city square, with 6 kilograms river stone hanging around their necks, for all to see.
Go ahead, take a peek:
I am sure that, as a child, Vlad would have engaged in snowball fights and even built animals out of snow. On the patch of snow you see above, we built a dragon to honor Vlad’s name derived from the Order of the Dragon awarded to his father:
I hope you enjoyed our journey through the medieval city Sighisoara thus far.
I still remember attending my first lecture on symbolism . My own studies were as far from literature and art as the moon is from the man who occupies it.
I was studying medical dentistry when a friend and I went to the University of History and Art to attend a lecture on symbolism in art. It was late one evening when we opened the massive door leading to a cosmic-size amphitheater packed with excited faces.
Used to look at dead bodies laying on an autopsy table, to squint inside them while trying to discern the shriveled femoral nerve from the already gray artery, I was struck by the excitement short-circuiting everyone attending the lecture and the amount of information hidden in plain view, underneath layers of colorful paint.
I was hooked and, although I may not have earned a degree in art, the keen interest in symbolism has sipped into my pores for good.
Was symbolism introduced in “Silent Heroes” intentionally?
On writing “Silent Heroes” I did not plan to include symbolism. It wasn’t a voluntary act, like research had been, or plotting the outline of the story, building my characters. Including symbolical elements was a work of my sly subconscious mind. It’s been the work of my cerebellum, you can say. Anatomy having its own play over art.
I do not expect readers to pick up on the symbolism used or to interpret it in the same way. I think this is very much connected to how our minds are wired. Some of us see things that others don’t, because they are not important to them. I does not mean that the first group hallucinates, or that the second group is inattentive.
Has symbolism in “Silent Heroes” been consciously manipulated at any stage during the writing process?
Now, this would imply that, at some stage during the writing of “Silent Heroes“, I picked up on some symbols introduced in the story-line. Which I did. Once I became conscious of the implications these symbolism will have on the narrative, I kept developing that thread. I did not removed it, since it was introduced organically and not voluntarily.
I felt that if I will remove the symbols, the story will be less rich, the characters, at least some of them, will lose their credibility. And myself, as a writer, will lose the passion for the telling of the story of these “Silent Heroes“, passion that had fueled me for over two years.
Can other symbols be discovered in “Silent Heroes”?
Other symbols, besides the ones my subconscious mind placed and my conscious mind picked up? I believe so, as I trust the reader’s creative minds as well as the connection I hope they will establish this book.
Is symbolism for real?
Is air real? Is the language we speak real? Is the sky blue? Humans have a innate ability and desire for creating things out of nothing. Buildings out of dust, worlds out of words, art out of dreams.
And humans also need to communicate. Writers communicate through their books. Language itself is a symbolic form of communication. Symbols used by artists, and therefore by writers, are placed – subconsciously or not – to help channel the results of their work. The end product. Much like a painter creating a portrait, an architect, a building that lasts, writers stir their stories using symbols, where appropriate.
The journey a writer takes when creating a book is anchored in his dreams and imagination, but it is stirred by the hidden symbolism which is also a product of his own mind.
Images of symbolism in “Silent Heroes” *****SPOILER ALERT*****
You could skip the very short, last paragraph, and return to it after reading “Silent Heroes”.
Some of the symbols found in “Silent Heroes” are:
The blue bird.
The book in the dust.
The Afghan garden.
What do they symbolize?
I suggest you don’t go past this point if you haven’t read“Silent Heroes” yet. First read the book, then return and see if your thoughts and mine converge.
To me, the blue bird symbolizes the spirit of Emma’s mother, as well as hope in another chance for happiness. A reminder that hope exists, no matter what situation we find ourselves in.
The book in the dust symbolizes the disrespect for human life and human wrights. Books are a well of wisdom and the product of hard, assiduous work. They don’t belong in the dirt, just like human life does not.
Qala-e-Bost Fortress symbolizes the upright spirit of the Afghan people, still standing after centuries of wars and oppression. And just like the people of Afghanistan, through its architecture, it is deeply rooted in its land, drawing strength from it.
Poppy flowers are both a symbol of the blood spilled in Afghanistan and of the never-ending struggle for survival of the Afghan people. Poppies are extremely resilient, they can grow under harsh weather conditions, although they look so fragile. But poppies are also deadly plants in the sense that farming them caught so many innocent souls in the loop of poverty and addiction.
The Afghan Garden symbolizes Heaven and hope in a land devastated by wars. Just as Heaven transcends all spirits and gods, being present in all religions, all people, no matter of their religion, sex or skin color, are equal in the eyes of God.
Have you discovered other symbols after reading “Silent Heroes“? Tell me about them, I’d love to hear from you.