Transylvania during the Roman Dacia and until 4th century AD

Transylvania during the Roman Dacia and until 4th century AD

The Roman Army went through great pains and two bloody wars to conquer the great nation north of Danube and own the riches of its land, so life changed in Transylvania too, during the times of Roman Dacia, until 4th century AD.

Emperor Trajan first came with ten legions of Roman soldiers, nearly 100 000 men, then be brought thirteen. Romans would start their attack marches in May, when the earth was dry and there was enough grass underfoot to feed the horses, for they covered 30 kilometers a day, 20 Roman miles, only to fight in June – July. Ahead, squads searched for food, spies, clues, trees were cut, roads were build. Behind, a Roman legionary carried a load up to 45 kilograms, as much as a contemporary soldier or Marine fighting in Afghanistan.

Roman Army did overpower the Dacians by its number, weapons and strategies, but Dacians under KIng Decebalus fought until the last man – and these are stories told on Trajan’s Column in Rome.

The Romanian land we know as Transylvania during Roman Dacia

Thus, Dacia became a Roman province after the two bloody Dacian – Roman wars ((101–102, 105–106), and will remain like this for two more centuries. Romans burned Sarmizegetusa Regia from Grădiştea Hill, the ancient capital of king Decebalus (the last king of Dacia, 87 – 106 AD) built of bricks and wood, to the ground.

Transylvania during the Roman Dacia until 4th century AD, Sarmizegetusa Regia from Grădiştea Hill

So little is known about the Dacian language. Although the elite of the Dacians, its priests, nobles, the administration, was literate, any records must have been destroyed in the aftermath of the Roman conquest.

After finally conquering the Dacians, Emperor Trajan was so chafed with himself that he ordered a marble column to be built in Rome, adorned with basoreliefs that will tell the story of his conquest of Dacia, as well as the bravery of Dacians. Trajan would have been mighty proud of this conquest as Dacia, with Transylvania at its heart, was a rich land. It is with the the Dacian gold that Trajan embellishes Rome with a Forum and Baths in his name.

Below is a scene from Trajan’s Column depicting the Burning of a Dacian Town:
* We can see in the front, left, two Roman soldiers torching Dacian wood houses held together by nails, built on planks, with wooden fences.
* There are even a few Roman skulls stuck on poles along the brick wall of a Dacian fortress – yet Romans have decapitated many Dacian warriors too, as depicted in other scenes of Trajan Column.
* Front center, we see Dacian soldiers retreating towards the woods; they carry oval – round shields curly, have long hair and beards. They don’t wear hats as only high rank Dacians were a allowed to cover their heads with tarabostes. They wear long pants.
* In the center foreground we can see the Dacian Draco flag, a wolf’s head on a serpent body. When wind blew it produced a howl, wolfish sound, thus intimidating the adversary.

Transylvania during the Roman Dacia until 4th century AD - Scene from Trajan's Column in Rome, scene XXV, The Burning of a Dacian Town
Scene from Trajan’s Column in Rome, scene XXV, The Burning of a Dacian Town

Everyday life of Dacian people of Transylvania during Roman Dacia

During these times, the Dacians of Transylvania mined the ground extracting iron, gold, copper, and salt; grew grains, vineyards, had herds of cattle. They were skilled craftsmen, turning metal into nails to build homes, tools to farm the land, weapons to protect their own – such as the falx, a two-handed sword curved at the tip and later adopted by Romans as a siege hook.

Transylvania’s Dacians would trade too, traveling southwards and eastwards on their horses, for the borders of Dacia extended all the way to the Black Sea.

Transylvania during the Roman Dacia until 4th century AD - Roman monument commemorating the Battle of Adamclisi shows Dacian warriors wielding a two-handed falx, weapon later used by Romans as siege hook
Roman monument commemorating the Battle of Adamclisi (101 – 1-2 AD) shows Dacian warriors wielding a two-handed falx, weapon later used by Romans as siege hook

The folklore and culture of Dacia and of the old Transylvania

Rituals connected with important life stages, as well as with religion and war, often involved music and dance. We know that Dacians made music using the whistle, the drums and, as Ovidius said, ‘whistles held together by resin‘ (panpipes), as well as magadis, a Dacian harp. War dances were also performed, especially involving a group of men dancing together holding weapons, the flax or a dagger, and also the mace, the mace remaining one of the favorite weapons of the Romanian peasant.
The Romanian bucium, the Carpathian horn use especially by shepherds, has its origin in Latin buccinum, bent horn. Its sound was meant to send signals, announce life-changing events, but also announce the Judgement Day (when played by Angels).

Listen to these peaceful Carpathian horn signals from Transylvania:

Dacian war dance, the origin of Transylvania’s Călușari?

Could it be possible that the Dacian war group-dance represents the origin of the Călușari dance traditions, still very much present all over today’s Romanian territory?

Today, the Călușari use a staff and are still known for “their ability to create the impression of flying in the air” as Mircea Eliade said, a dance move he believed represented the galloping of a horse (remember the fast horses Dacians were renowned for breeding?) as well as the dancing of the fairies, namely Diana, the patroness of countryside of hunters, and of Moon.

It is this lyrical quality of Dacian folklore that proves, in the view of B.P.Hașdeu, Romnian writer and philologist, the continuity of Romanian people on these lands, since Dacian times.

What happened in Transylvania during Dacia’s Romanisation?

Most of today’s Transylvania was included in Roman Dacia either in 102 or later, in 106 (except for its north, Maramures, and north-west, Crisana). Other provinces of today’s Romania that were included in Roman Dacia were Banat, Oltenia, and west of Muntenia. Dobrogea (south-west of Romania today) was part of Roman province Moesia Inferior, as were most of west Muntenia and south of Moldavia.

But there were free Dacian lands too, the ones not incorporated in Roman Dacia at all. It makes sense to imagine that when Roman soldiers set foot in Dacia and especially after the two bloody Dacian-Roman wars, part of the local Dacians fled to join the free Dacians. But some remained. And it seems that part of the Dacians who fled returned, some years later.

Two major the Roman legions stationed in Transylvania during Roman occupations, 13th Gemina Legion, LXIIIG, at Apulum (today Alba Iulia) and 5th Macedonica, LVM, stationed at Potaissa (today Turda, Cluj County, where my mother was born). Besides these two legions, other auxiliary Roman troops settled in Dacia Romana, bringing along a mix of Roman soldiers originating from all the corners of the Roman Empire – sharing one common language, Vulgar Latin, the common speech.

Transylvania during the Roman Dacia until 4th century AD - A map of Roman Dacia (in purple) superposed over Romania's borders as they are today. North we see the tribes of free Dacians, the Costoboci (more free Dacians), the Carpi (free Dacians or Thracians).
A map of Roman Dacia (in purple) superposed over Romania’s borders as they are today. North we see the tribes of free Dacians, the Costoboci (more free Dacians), the Carpi (free Dacians or Thracians).

Were the Roman soldiers happy to leave their families behind, all for the sake of conquering strange lands, for fame and kill? Some think they were, for they had a great leader, Emperor Trajan.

“He was a great general, mastering all the secrets of military art and bearing all hardships and sufferings of the war together with his soldiers who worshiped him for it. Besides military virtues he also had those of a civilian ruler.”

Constantin C. Giurescu on Roman Emperor Trajan, The Making of the Romanian People and Language.

With such faithful warriors Trajan colonized Dacia, most of his men speaking vulgar Latin, the common speech. The colonizers, at least some of them, eager to go on with their lives on strange lands would have married Dacian women adopting, even partially, the local lifestyle, learning the Dacian language and, in turn, teaching Latin to their families. Learning local traditions and culture and, in turn, sharing their own.

All in just over 150 years, while the Roman occupation lasted in Dacia, 107 – 271/276. But those were different times, with an average life expectancy of 30 to 35 years, slightly longer for women. So what looks like two generations today, meant four or five generations during Classical Rome.

How else?

True, adopting the Roman culture did not caught in Pannonia (present-day parts of Hungary, Austria, Slovenia, Croatia, and Serbia), nor in Britania (today Great Britain), each with nearly 400 years of Roman ruling.

Why Romanisation caught in Dacia (and in Transylvania)?

Then why Romanisation caught in Dacia? Surely not only because Roman soldiers married Dacien women and started families. But also because many other Roman soldiers were of Dacian origin. The service in the Roman army lasted for 25 years, after which the soldiers received Roman citizenship extended to every member of his family – no matter where they’ve been born. So a Roman sldier, apart from being fluent in Latin, he would have dopted, at least up to a point, the Roman culture. And if he had distinguished himself in fight, he would have been rewarded with land too, land from a Roman colony, such as (Transylvania and) Dacia.

Truth be told, Romans did a lot of hard work in the lands they conquered. Such as bringing their own administration for Dacia was an imperial province now, building roads, establishments for their troops that later turned into urban centers with rural area nearby, and bringing missionaries too. And the roads would have brought merchants and travelers and a flourishing economy. Roman missionaries would have brought a public worship service sung in Latin and a sense of community that would have planted the seed of peace and hope in the harts of the Dacians.

King Decebalus escaped the Roman pursuit only to commit suicide than be taken prisoner. Many Dacians were sent as slaves to various Roman colonies bordering Danube, and the Roman settlers made a new life in Dacia, building the new Ulpia Traiana Sarmizegetusa some 40 km away from the Dacian Sarmizegetusa and near Haţeg.

Transylvania during the Roman Dacia until 4th century AD - Ulpia Traiana Sarmizegetusa
Transylvania during the Roman Dacia until 4th century AD – Ulpia Traiana Sarmizegetusa. Source Historia.ro

But the Dacians who remained hidden in the forests and mountains would often revolt, thus Romans were soon forced to bring colonizers from Pannonia, Thrace, Moesia, Macedonia, Gaul, Syria and other provinces, in an attempt to overpower these Dacians. The Latin language was imposed locally for admin purposes.

The years of Roman withdrawal from Dacia (including Transylvania)

Yet no Empire ever lasted forever and under the Roman Emperor Gallienus (253-268) and again under Aurelian (270 – 276 AD) the Romans withdrew from Dacia Trajana considered now too difficult to protect under the threat of Carp and Visigoth tribes.

Between these two Roman withdrawals, Roman Emperor ClaudiusGothicus‘ (268-270) did reclaimed Dacia, defeating and destroying the force of Gothic cavalry during the battle of Naissus (Niş, Serbia today) – which earned him his nickname, Gothicus. The Goths fled, but not to Dacia, since they did not lived there, but to Thrace and from there on their ships further north, to south of Russia.

Already in 117 AD, after the death of Emperor Trajan and under Emperor Hadrian, Dacia was nearly abandoned as Asian tribes were eating up at the far western border of the Roman Empire so Hadrian had chosen to abandon the Roman Asia provinces annexed by Trajan. Hadrian was also thinking to abandon Dacia at that time, but his advisors changed his mind at the last minute pointing out that too many Roman citizen will be left at the hands of the barbarians, and that Dacia had an advanced administration and a great number of Roman colonists, unlike the far west territories. Plus it had riches too.

Eventually, the neighboring tribes that kept attacking the Roman province Dacia year after year became the final drop that coincided with the weakening of the Roman Empire after 234 AD.

After the second Roman withdrawal from Dacia, under Aurelian, the Roman Emperor created Dacia Aureliana, a small territory south of Danube, between the two Moesiae, perhaps as a reminder of great Dacia Traiana. Here it is said that he brought from old Dacia Traiana the remainder of the Roman soldiers and the Roman citizens.

Who remained in Dacia (and in the intra-Carpathian land of today’s Transylvania) after Roman withdrawal?

When Romans left the Dacian territories they occupied for approximately 165 years, two categories of Dacians were left behind. The people from the occupied land, the Roman Dacia, and the free Dacians still living outside the Roman Dacia.

Many Roman soldiers were of Dacian origin, so when they were forced to leave Dacia with the Roman army, and their families would have joined them. Romans involved in administration, civil and military, left too. Perhaps some craftsmen and tradesmen whose earning relied heavily on the army would have also left, but not all .

What the Roman retreat from Dacia did not intent was to give up the wealth of Dacian resources.

Romans still wanted access to Dacian minerals, gold, silver, iron, grains, honey, livestock. Proof being that Romans did not destroyed their Dacian fortifications prior to their retreat and that they kept a foothold in Dacia till the 3rd century AD. And the Roman Empire offered some level of protection too, partially because of the newly increased Christian connections between the two, partially because they still relied on the Dacian resources, especially gold and salt, a prized commodity.

Roman military insignina and equipment discovered in today Transylvania at Vețel (Hunedoara), at Mintiul Gherlei (Cluj), and at Feisa (Alba) prove that some form of local military organization remained in place even after the Roman retreat.

But the vast majority of Dacians stayed put, predominately in the countryside.

The years of Roman colonization might have changed their language, their religion, their lifestyle, but it wouldn’t have altered their being, their ancestral behavior and connection with their land, its natural cycle. They could go on with their lives, grateful to be left alone. Perhaps they moved away from the big roads, choosing the back-country. Its peace and tranquility. Why would they need the wide, easy access roads since there were no more fairs, no more markets, no more trade? No more monuments to raise, no more inscriptions to commemorate far away kings. No need for coins either, for there was nothing to buy. All that was needed to survive was that what their own two hands could grow. And that’s what they did, they survived the best they could. Free.

Life went on in Dacian Transylvania after the Roman Withdrawal

Romans had build an impressive Basilica at Ulpia Trajana Sarmizegetusa. Perhaps a century after they left, when life seemed peaceful at last, local Dacian peasants, not finding any practical use to such grand spaces, had made use of them by dividing and creating a few homes within, as the remains of inner walls built with river stone and reinforces with earth, not mortar (as Romans did), shows us today. And the grand amphitheater of Ulpia Traiana Sarmizegetusa was now used as a defense fortress.

Graves around a Roman thermae and dating from the first half of the 4th century AD were discovered at Apulum, today Alba Iulia, Transylvania. Proving perhaps not an urban lifestyle, but a rural continuity of a Dacian lifestyle taking place in Transylvania, as well as in other areas of Dacia, after the Roman withdrawal. And there are also rural settlements where life knew no change whatsoever after Romans left Dacia, much like it happened in Britannia.

If you travel around Romania today, if you’re in a train, speeding past valleys or crawling through mountains, try to erase the villages and to look at the land itself. It is the same land the Dacians occupied, lived and died on. Look at the land and imagine how they would have seen it, where they would have lived, and maybe you will grasp their culture and their lifestyle. And life choices.

Life went on in Transylvania after the Roman Withdrawal

Soon after the Romans abandoned Dacia, in the 3rd century AD, the Roman Empire experienced an unprecedented military anarchy. Political instability and building grand establishments, minting more coins, meant the value of the Denar and Sesterț depreciated considerably. They were even made out of less silver, no gold, and even copper. And less of these coins reached the old Dacia (and who would have wanted them now?), none being minted here.

Dacians, including those living in today’s Transylvania, went on with their lifestyle, men working the earth, planting, growing grapes, fruit trees, animals, especially sheep, making tools, mining, going on with their pottery, building homes, while women were weaving, sewing, telling stories, raising children, planting dreams. At the heart of their peaceful world was the hamlet, the village, while the village council was the highest power – just as it’s always been. The home, its animals and immediate belongings were individually owned, while the land, rivers, forests were shared by all. This explains why villages spread over such vast expenses (and still are). The homes and the immediate land is here, but the forest, share, is there, the vineyard spreads over the hill, the pasture, well, a stone throw away too.

Christianity in Dacia (including Transylvania)

Geto-Dacians had a reputation for profound religiosity and strong belief in the immortality of the soul. On the other hand, the long series of martyrs hailing from the towns along Lower Danube (thus including Dacia) during the 3rdcentury AD is proof that the Christianity had a solid foot-hold in Dacia.

Even before 313 AD, when Constantine the Great issued the Edict of Milan that allowed freedom of worship in the Roman Empire and thus legalized Christianity, we know that there were already Christian Dacians.

In addition to them, between the 2nd Century AD and year 313, prosecuted Christians from the Roman Empire would have also seek refuge in Dacia. And after 313 Christianity flourished in Dacia, in part because it was supported by the Christian Dacian population living south of Danube and in part because Dacia became soon surrounded by centers of Christianity.

Between 350 and 450 AD Bishop Niceta of Remesiana christened extensively north and south of Danube and thus an extensive use of the Latin language was introduced in Dacia – in addition to the Christian Dacians living here and already familiar with the Latin language.

Furthermore, the sycessful campaign of Constantine the Great in 336 in Dacia partially restored the Roman sovereignty, thus protecting and permitting the free propagation of Christianity in the region.

Romanian liturgical language rooted in the Latin language

Today the Romanian ecclesiastic vocabulary still resonates of its its Latin origin: Dumnezeu (Deus, God), cruce (crucis, cross), a boteza (baptizare, to baptize), înger (angelus, angel), păgân (paganus, pagan), creştin (christianus, christian), păcat (peccatum, sin), cimitir (caemeterium, graveyard). Essential life aspects and feelings show their Latin origin too: durere (dolor, pain), viață (vita, life), femeie (femina, woman), fecior (filius, son), fiica (filia, daughter), frate (frater, brother), soră (soror, sister), casă (casa, house) and so many more – an account of the christian beginnings of Romanian people.

Although the most suggestive being the term designating the church itself, biserică in Romanian (ancient form beseareca), deriving from Latin basilica (which entered the Latin vocabulary after 313) and not, as with other European languages, from Greek ekklesia.

Moreover, the term basilica was used in Latin only between the IV and VI centuries. After the 6th century the basilica as a construction type disappeared with the meaning we’ve addressed to it thus far, referring in Byzantine Greek only to profane buildings.

It makes sense to conclude that only during the 4th and 6th centuries could the Latin term biserica have entered the Romanian language, as it was only then that Dacians (thus the future Romanians) would have used it to designate both the Christian Church and the church as a building. And the term biserica stuck in this Christian population that spoke a Latin language.

Therefore, we can conclude that the Latin language used by Dacians was the result of a tight weave between local Dacian speech (more on this later) and vulgar Latin introduced by Roman colonists, adopted by the local families they created here during the 160 years of Roman occupation and reinforced with the Latin used by the wave of Christianity washing over Dacia during the 3rd and the 4th century AD.

These were peaceful times before the Hunic invasions of 376 and allowing for the continuations of the Romanisation process up here in Transylvania and acros most of the old Dacia (today Romania).

Archaeological proofs of Romanian Christianity and continuity in Transylvania after 2nd century AD

In Micia, where a Roman fort used to be (today Veţel, Hunedoara county, Transylvania) two grave stones dating from the 2nd century AD were discovered. This is one of them, depicting a family with two children:

Transylvania during the Roman Dacia until 4th century AD - Archaeological proof or Romanian Christianity and continuity in Transylvania after 2nd century AD, Micia-Funerary monument 2nd century AD

More archeological findings dating from centuries II – IV AD have been unearthed around today’s Transylvania, in Potaissa (today Turda, Cluj county), in Alba-Iulia, the famous bronze from Biertan, Sibiu, with its Latin inscription ‘Ego. Zenovius, votum posui‘ (translating to ‘I Zenovius, do swear’ or ‘I, Zenovius, offered this gift’).

Transylvania during the Roman Dacia until 4th century AD - The Biertan Donarium is a 4th century Christian offering found near Biertan, Transylvania, Romania.
The Biertan Donarium is a fourth-century Christian votive object (an offering) found near Biertan, Transylvania.

Christian symbols crafted or etched on pottery have also been unearthed, dating from 3rd century AD (vessels with symbols in the form of crosses, carved or scratched); vessels with the symbol of Jesus Christ (the Chrismon symbol), cut after burning, thus showing they’ve been created at a later stage, on a preexisting vessel.

The symbol of Jesus Christ, the Chrismon symbol:

Another inscription depicting Christian motives, this one on a pottery vase and dating from 4th century AD, was discovered at Porolissum (Moigrad, Sălaj county, Tranylvania and Crișana), perhaps surviving a local Christian establishment. Here, clear Christian symbols and inscription were inscribed on the inner side of the vessel: the Chrismon, the dove (the Holly Spirit), the breads, the Life Tree completed with a Christian wish utere felix. Based on the letter types, the character of the writing, and the Christian symbols, the vessel is considered as dating from the middle of the 4th century AD. As is the Christian funeral ritual, the west – east orientation, attested in cemeteries from Apulum (Alba Iulia), Napoca (Cluj), Porolissum (Sălaj), and Potaissa (Turda) – all found in what we know today a Transylvania.

Although dispersed, cores of Christianity did exist in Transylvanian between the II – IV centuries AD and their existence is of high significance if we consider that Dacians lived here in sparse hamlets and village or in forsaken Roman forts. The lack of Christian establishments to this day could be explained by Dacian’s building material of choice at that time, wood. But the archeological proofs that did survived, together with a Romanian vocabulary rooted in Latin and Dacian speech, tell of a perpetual Christian and Dacian existence in Transylvania and around it, wherever Dacians lived, especially after the retreat of the Roman Empire.

NB In this text, although we look at the first four centuries AD, I refer to the intra-carpathian land we know today as Romania’s Transylvania by its modern, Transylvania, although around the times of Roman Dacia it would have been known as Dacia Apulensis and Dacia Porolissensis.

Have you read the beginning, Stories and History of Transylvania, Prehistory to Roman Dacia?
Still to come on Transylvanian history:
Wish I May, Wish I Might, Own Transylvania by Tonight
Stories and History of Transylvania, the Middle Ages
Romanian Transylvania, It’s Origin and Etymology

Sources for Transylvania during the Roman Dacia and until 4th century AD

Constantin C. Giurescu, Dinu C. Giurescu, Istoria românilor din cele mai vechi timpuri şi pînă azi
Floru, Ion S., Istoria Romanilor, Cursul Suoerior de Liceu, 1929
Larousse Encyclopedia of Ancient & Medieval History
Madgearu A., The Significance of the Early Christian Artefacts in Post-Roman Dacia
Nicolae Gudea, Note de arheologie creştină, Some notes on Christian archaeology, source

Songs that Remind me of Silent Heroes: the Afghan people

songs to remind of Silent Heroes

My latest contemporary fiction, Silent Heroes, looks at the War in Afghanistan from a different perspective: that of the soldiers taking part in it and of the Afghan people caught in it. Because there are always two sides to a story. Part of my research was listening to music. I’ll share with you a few songs that now remind me of the courageous Afghan people.

Pentatonix – ‘Mary Did You Know’

The first time I heard Mary Did You Know, it was sung by my daughter’s college choir. I thought there wasn’t a more beautiful tune, nor more heartbreaking lyrics.

Mary Did You Know is a Christmas hymn to Mary, Mother of Jesus, but I feel that any mother can relate to it, especially the mothers of soldiers. While researching and writing Silent Heroes I often asked myself, how must these mothers feel like?

The soldier’s mothers, back home in the safety of their big cities, yet not able to pinpoint on the map the exact location of their children? How they felt in the first moment they heard their child will fight in Afghanistan, as a soldier?

The Afghan kids’ mothers, each morning they face another day of war, knowing that when their child leaves through the door it might be the last time they see him?

‘Mary did you know that your baby boy would one day walk on water?
Mary did you know that your baby boy would save our sons and daughters?
Did you know that your baby boy has come to make you new?
This child that you’ve delivered, will soon deliver you

Mary did you know that your baby boy will give sight to a blind man?
Mary did you know that your baby boy will calm a storm with his hand?
Did you know that your baby boy has walked where angels trod?
When you kiss your little baby, you kiss the face of God.’

Pentatonix, Mary Did You Know – Songwriters: Buddy Greene / Mark Lowry
Mary, Did You Know? lyrics © Warner Chappell Music, Inc, Universal Music Publishing Group, Capitol Christian Music Group (source)

Creedence Clearwater Revival – ‘Fortunate Son’

This song was released in 1969, during the peak period of the U.S. involvement in the Vietnam War. To me, it speaks more of the unfairness of disadvantages between different social classes, the unfairness that a war plays on the civilians of a country, an unfairness that will project itself over the future generations.

‘Some folks are born made to wave the flag
Ooh, they’re red, white and blue
And when the band plays “Hail to the chief”
Ooh, they point the cannon at you, Lord
It ain’t me, it ain’t me, I ain’t no senator’s son, son
It ain’t me, it ain’t me, I ain’t no fortunate one, no.’

Songwriters: John C Fogerty
Fortunate Son lyrics © The Bicycle Music Company. Find lyrics here.

Afghani Rabab: “Valley” Folksong

Music speaks so much about the spirit of a nation, and so are its national instruments. There is so much intensity in this song, a love for life. I can see the sun rising over the Hindu Kush Mountains and the Afghan women spinning in dance, children chasing one another over rocky rivers, catching fish to take back to their mother to cook for dinner. One of many beautiful songs that remind my of unknown Silent Heroes, Afghan people too.

Afghani folk-song entitled “Valley” written and performed by Quraishi and accompanied by Samir Chatterjee on tabla.
A rubab, robab or rabab is a lute-like musical instrument originating from central Afghanistan. The rubab is mainly used by Pashtun, Tajik. sadly, making a rabab today is a dying art.

Afghani Rabab. songs-remind-Afghan-people
Afghani Rabab. SONY DSC

“They are Shiites and, most of the time, anti-Taliban,” Marcos went on. “Pashtuns dress differently and are easy to recognise. They tend to leave an end of their headdress loose so they can cover their mouth and noses in the dust storms of southeast Afghanistan, where they mostly live. Pashtuns are indo-Iranians by race and language. They mostly wear a qmis, which is a loose-fitting shirt that reaches down to the knees and a shalwar, pants tied with a string at the waist. Pashtuns typically have dark skin and more western features.”

Silent Heroes by Patricia Furstenberg
Pashtun culture. songs-remind-Afghan-people
Silent Heroes by Patricia Furstenberg

You can BUY Silent Heroes from Amazon UK, Amazon US, Amazon Australia, Amazon Canada, or Amazon Worldwide: link here to your preferred Amazon website.

Songs that Remind me of the Marines, my Silent Heroes

Songs Remind me of Silent Heroes

Music evokes vibrant images and these three tunes are only a few of the songs that remind me of the fighting Marines, the main characters from my book Silent Heroes.
I mostly do my writing in a quiet space, listening to the words playing in my mind, but every so often I turn to music for inspiration, for its regular or progressive rhythm if I must describe a battle scene, or for the emotions it stirs when I am faced with a life-and-death situation.

Five Finger Death Punch – ‘Wrong Side Of Heaven’

This is a heart-wrenching musical video about the futility of war, its real, hideous face and the reality we choose not to acknowledge: that wars change – for the worst – the lives of all those involved in them, soldiers too. It was also one of the songs that also inspired me to write Silent Heroes.

‘Arms wide open
I stand alone
I’m no hero and I’m not made of stone
Right or wrong
I can hardly tell
I’m on the wrong side of heaven and the righteous side of hell
The wrong side of heaven and the righteous side,
The righteous side of hell ‘

Songwriters: Ivan Moody / Jeremy Spencer / Kevin Churko / Thomas Jason Grinstead / Zoltan Bathory
Wrong Side of Heaven lyrics © Sony/ATV. Find the lyrics here.

The White Stripes – ‘Seven Nation Army’

Although this song is about how shallow gossip is, I like the feeling of loneliness it evokes, the solitude of those caught under the spotlight. I think that soldiers, through the nature of their occupation, are under the spotlight, permanently in the news, yet very few spectators grasp the real meaning of their sacrifice.

‘And I’m talking to myself at night
Because I can’t forget
Back and forth through my mind
Behind a cigarette
And the message coming from my eyes
Says leave it alone.’

Seven Nation Army by The White Stripes, lyrics © Universal Music Publishing Group. Find lyrics here.

Another one of the songs that inspired me when writing about the Marines in Silent Heroes is:

Prokofiev – ‘Dance of the Knights’

I listened to this song often when working on my battle scenes, although it is part of his Romeo and Juliet ballet. I found it strongly related to death. The loud, rhythmic beginning is very war-like in a dignifying way. The second, pianissimo part, speaks of the Angel of Death, but of the soldiers’ loneliness on the battlefield as well.

‘Dunn turned his head to respond. That’s when his whole body disappeared into a deafening blast of rocks, leaves, smoke, and blood.
That day it rained with dirt.
Conde felt his body thrown to the ground and he landed on his back, dirt in his mouth, dust all over his face. The wave had gone right through him.
Behind him, everyone threw themselves around looking for cover, weapons at the ready.
The dust was still settling on the road ahead when Conde jumped to his feet, yelling Dunn’s name.
“Medic, over here!”
He could taste blood and it smelled like charred flesh.
Was he talking? He couldn’t hear himself, just a constant ring in his ears.
“Medic, over here!” he yelled, again and again, wiping dust and water from his eyes and looking all over the ground for Dunn. The acrid air made him choke. It smelled of burned tyres and ammonia.
Focus, Conde. Focus!
Just ahead of him Dunn was laying on his back, legs sprawled, not moving. Conde felt his body freeze in panic. Was Dunn dead? Please, no! He forced himself to move ahead, his mind racing in circles, remembering what had to be done in a first aid combat situation. That’s when he heard Dunn moaning.
Blood was sipping through his left leg. Dunn was trying to feel it, but his left hand was missing its fingers. Tourniquet! It flashed through Conde’s mind and his body snapped in motion, the Marine having tightened the first tourniquet around Dunn’s left leg before their medic arrived on the scene.
“Easy, buddy, stay with me,” said Conde trying to see if Dunn’s eyes were open or closed but the blood and dust caking the fallen Marine’s face made things difficult. Conde felt like he was in a dream, the one where he would try to open his eyes as large as he could, still no image would form. Eventually, the white of Dunn’s eyes shone through.
“We got you, buddy. We got you,” said the medic, feverishly wrapping combat gauze over the Marine’s hands. The white bandage looked like show balls against the bloody background. But not for long.
“Don’t give up. I’ll beat you up if you dare giving up, Sarge! You hear me?!” Conde’s voice came out croaky.
“Easy, Conde,” someone said nearby and Kent kneeled, helping hold Dunn’s hands upright.
“Nice and easy.”
“We got you, Dunn.”
“Someone call MEDEVAC!” Conde yelled.
“Easy, buddy. Already done. They’re on their way.”
“Where’s a landing strip over here?”
Conde wiped dust and water from his eyes again, leaving strikes of blood behind.
“Damn rain!
“Where are they going to land, Sarge? There is no freaking landing area here, only freaking trees! Damn trees!” the Marine panicked.
“It’s okay, man. They’ll drop a cord for us, said Kent” ‘

Silent Heroes by Patricia Furstenberg
Silent Heroes: When Love and Values Are Worth Fighting for. Songs-Remind-Marines-Silent-Heroes
Silent Heroes: When Love and Values Are Worth Fighting for – New Contemporary Fiction by Patricia Furstenberg

You can BUY Silent Heroes from Amazon UK, Amazon US, Amazon Australia, Amazon Canada, or Amazon Worldwide: link here to your preferred Amazon website.

These are the songs that remind me of the Marines depicted in Silent Heroes. Next time I’ll tell you about the songs I listened to to stir emotions rooted in the lives of the Afghan people.

The #MusicMonday meme was created by Drew @ The Tattooed Book Geek. You can pick a song that you really like and share it on Monday. I thoroughly enjoyed this blog feature on Mischenko’s lovely blog, ReadRantRockandroll .

Which songs inspire you? Which songs you find yourself returning to?

WW1, Christmas 1914 Truce Song by Catherine Rushton, Music Monday

WW1 Christmas Truce

Through blog posts or books, war and dogs are a constant presence on my blog. My thoughts seem to gravitate towards them. Since yesterday we made our first Christmas decorations for this year, Noel was on my mind and so it happened that I discovered this musical gem on YouTube: a Christmas war song – how else? Christmas 1914 – Truce Song was composed by talented Catherine Rushton in 2004. Ten years later she published this soulful, folk song online at a friend’s request. It has almost 13 000 views now.

To help UK veterans suffering from PTSD, Catherine donated the WW1 Christmas Truce Song to Combat Stress for Veteran’s Mental Health. You can visit Catherine’s fundraising page here.

Here are the lyrics and guitar chords for Christmas 1914 Truce Song by Catherine Rushton

G ………………………………………………. C ………………. G
I am Private Angus Turnbull of the Highland Infantry.
……. C ……………….. G …………. D7
In Flanders field I fought the Hun.
………. G …… D7 ….. C …………….. G
And there I fell, but I’ve a tale to tell
………………………….. D7 ……………….. G C G
Of the Christmas I witnessed at the front.

‘Twas early Christmas morning when we heard the strangest sound
As silence crept through no-man’s land,
And the next we knew a German gunner crew
Had crossed the halfway line to shake our hands.

D7 ……………………………………… C …………… G
We were enemies one day and brothers the next.

……………….. D7 ……………….. C ……………………… G
We shared photographs and beer and schnapps, jokes and cigarettes.

…………. Em ……………… Am ………D7 ……….. C
‘Twas a sight I wish all mankind could have seen,

………… G ……….. D7 …………… G C G
That Christmas, nineteen fourteen.


For three days we played football, three nights we drank and sang
‘Til it came time to say farewell.
Then we went to ground; each side fired three rounds
And just like that we all were back in hell.

….. And we showed the world that peace was not a dream ….

Two weeks later I was buried while the war ran on and on
‘Til thirty million lost their lives,
But don’t weep for me beneath this poppy field
For I saw paradise before I died.

…. And I came to understand what Christmas means …

G
Stille Nacht, heilige nacht
Am …….. D …. G
Alles schlaft, einsam wacht
C ……………………….. G
Nur das traute hochheilige paar
C ……………………. G
Holder knabe im lockigen haar
Am ……… D ………….. G
Schlaf in himmlicher ruh!
G ………… D ………….. G
Schlaf in himmlicher ruh!

I hope you enjoyed listening to the hauntingly beautiful WW1 Christmas 1914 Truce Song by Catherine Rushton.

WW1 Christmas Truce song and football game
Armistice Day football match at Dale Barracks between German soldiers and Royal Welsh fusiliers to remember the famous Christmas Day truce between Germany and Britain -source PCH

During the WW1, in the winter of 1914m a Christmas Day football truce game between Germans and the British was won 2-1 by Germans. It was started by a soccer ball kicked from a British trench and ended by two German snipers.

WW1 Christmas Truce song and  Illustrated London News – the Christmas Truce  1914 – source wikipedia
Illustrated London News – the Christmas Truce 1914 – source wikipedia

Christmas Truce, Weihnachtsfrieden, Trêve de Noël, took place during 24-25 December 1914: British, French & German crossed the trenches to exchange greetings and play soccer.

If you d wonder, no Christmas Truce took place during WW2 although a German woman, Elisabeth Vincken, sheltered and fed three US soldiers and four German ones, all lost and hungry. Nearby the Battle of the Bulge was taking place. It was Christmas Eve, Heiligabend 1944.

WW1 Christmas Truce song and WW2 Christmas time, Battle of Bulge
Battle of the Bulge-WW2, Christmas time

Whatever you do this Festive Holiday, however you choose to celebrate it, do spare a thought for those who fell during the countless wars we put behind us, be it in historical locations or not, or are still taking place.

Song lyrics and movie clip are property and copyright of their owners and are provided for educational purposes and personal use only.

The #MusicMonday meme was created by Drew @ The Tattooed Book Geek. You can pick a song that you really like and share it on Monday. I thoroughly enjoyed this blog feature on Mischenko’s lovely blog, ReadRantRockandroll .

Merry Christmas and Happy Holidays!

2020 Update 🙂

Goodness, lovely Catherine Rushton sent me a message on Facebook:

“Hi Patricia, someone just brought to my attention a link to a blog you write last year about my song, Christmas 1914. I wanted to send my sincere thanks not only for writing it but especially for linking to my fundraising page. That was extremely generous of you.”

Catherine Rushton

Movie Music Monday, Wartime Classic, WW2, Begin the Beguine, Happy New Year via @PatFurstenberg #HappyNewYear #ww2 #moviemusicmonday

A most beloved war-time classic song, Begin the Beguine was composed by Cole Porter in 1935, turned into a swing by Artie Shaw and band and made famous by Fred Astaire and Eleanor Powell. Their legendary tap dance in the movie Broadway Melody surely caught on.

Begin the Beguine  by Cole Porter – lyrics

“When they begin the beguine
It brings back the sound of music so tender,
It brings back a night of tropical splendor,
It brings back a memory ever green.I’m with you once more under the stars,
And down by the shore an orchestra’s playing
And even the palms seem to be swaying
When they begin the beguine.To live it again is past all endeavor,
Except when that tune clutches my heart,
And there we are, swearing to love forever,
And promising never, never to part.What moments divine, what rapture serene,
Till clouds came along to disperse the joys we had tasted,
And now when I hear people curse the chance that was wasted,
I know but too well what they mean;So don’t let them begin the beguine
Let the love that was once a fire remain an ember;
Let it sleep like the dead desire I only remember
When they begin the beguine.Oh yes, let them begin the beguine, make them play
Till the stars that were there before return above you,
Till you whisper to me once more,
“Darling, I love you!”
And we suddenly know, what heaven we’re in,
When they begin the beguine”

Songwriters: Cole PorterBegin the Beguine lyrics © Warner/Chappell Music, Inc, Memory Lane Music Group (Domestic)

Song lyrics and movie clip are property and copyright of their owners and are provided for educational purposes and personal use only.

The #MusicMonday meme was created by Drew @ The Tattooed Book Geek. You can pick a song that you really like and share it on Monday. I thoroughly enjoyed this blog feature on Mischenko’s lovely blog, ReadRantRockandroll .

What are your thoughts on wartime beloved songs? Do you have a favorite? Let me know in comments below.

Thank you for visiting my website.