The Sun, the Rope, the Horse, and the Tree of Life are important motifs encountered in traditional Romanian wood folk art.
When you look at an old house, do you see the hand that built it? The hopes and dreams that made it rise above the ground? The blessings that were whispered on its threshold? When you look at a dwelling, do you see – and wonder – why it was built the way it was, and what wonderful secrets its decorations hold?
Unbeknownst to many, the ancient wood peasant houses of Romania carry astronomical symbols thousands of years old.
Stemming from pre-Christian times diverse motifs have reached us through pottery, clothing (renowned Romanian blouse, ia), and woodwork.
The Solar Motif, the Sun in Romanian Folk Woodwork
The most popular in Romanian folk art is the solar motif. The circle as a sun symbolizes life, fertility and it is believed to attract positive energy and confer protection.
The solar motif is so powerful that it is seen carved or painted on household objects too, along with other motifs. After Christianity developed, a cross was included in the solar circle / halo, a symbol for God.
Had the wood artists strolled through the woods until a ray of sun filtered by foliage danced on his face, catching his eye? Had he approached the tree with reverence? Had he run his calloused hands along its ancient trunk, feeling the life inside, asking for permission? Had the design came to him in that moment? Had he drew it on the trunk, in a whisper of apology? Asking for the forest’s blessing? I like to believe that he did.
And before any exterior decorations were carved, every so often a branch from a pine tree was placed above the main entrance door, to protect the household.
The Rope Motif in Romanian Folk Wood Art
The rope is often carved on the supporting poles of the front porch, pridvor, a symbol of infinity meant to protected the household and connected the earth to the infinite and blessed Heavens above.
To mark this connection between earth and Heaven in the Christian Orthodox tradition one would bend and touch the ground when one makes the sign of the crosses on prayer.
Like the monk did (three times) in the video below.
He does so to take the earth at a witness for his love for God, the same earth that was made and blessed by God, but also to show his appreciation towards the earth he lives on.
Listen to the song of the wooden vespers bell of Petru Voda Monastery:
ABOVE: Also made of wood are objects and works of art and of spiritual connection with God (such as the wooden vesper bell), a physical representation of the Romanian spirit.
The household had always been sacred, the place where traditions took place and were passed along. Thus, an essential part of the household in a Vlach (old Romanian from the south) home was the front of the house that was not facing the street, but was protected by an inner yard.
For the Romanian country folk his household and his piece of land were more than his property. They were an offering from God thus he had to care for them as they allowed him to live a purposeful life. The land was a gift, his connection with his ancestors which he could pass on to his descendants, thus ensuring not only the survival of his family, but the permanence of life in general.
The Horse Motif in Romanian Art
The horse, as a motif, represents majestic beauty and strengths and its directly connected to the sun and the rope. In popular beliefs the life-giving sun was traveling across the sky in a chariot drawn by white horses. In Romanian folk belief the horse is perceived as a fantastic creature. Horse, cal, symbolizes heat, warmth, summer.
Above: a horse motif on a barn, to offer protection against all evil for the most precious livestock.
In Romanian folklore it is said that if one sees a white horse on Epiphany Day, the 6th of January, one will have good luck all year.
The traditional Romanian folk dance performed by Căluşarii, the Stallions, is performed imitating the motions of a horse in flight and is intend to fight off evil spirits and heal the sick.
The Tree of Life motif in Romanian Folk Art
The ancestral tree of life motif, pomul vietii, “as in Heaven, so on earth“, painted on the door is a sacred symbol found across the ancient world and still present in Romanian folk art – read so much MORE here.
Trees and Woods in Romanian Culture
A beautiful Romanian myth speaks of a distant time, long, long ago when God had just finished created the world. Humans needed no shelter for the sky was near and the sun, the moon and all the stars would walk among people and keep them warm. But then humans turned against each other and this made God so sad that he lifted the skies high above, beyond the flight of the birds and the arch of the rainbows. Humans started feeling the cold and the rain, the sleet and the wind, and the need for a shelter. For the first time. So they found shelter in caves, and in forests until God, in His kindness and love for His creation, inspired humans to build a shelter of wood. And the house became a home.
From Dacian times the woodland and the Romanians have been two inseparable entities, this green gold that once covered three quarters of Romania and its soul, its people. The forest was, in turn, temple during peaceful times and a safe haven at war.
Many were our ancestors’ forests, vast and dense were they, enriched by mysterious creatures, bathed by many springs. And countless are the characters that climbed out of these forests into folklore and mythology. While in Romanian folklore the trees (sanctuaries for both gods and demons), especially the sycamore, fir tree, willow, and apple trees, are seen as guides, accompanying a human’s soul along his last road.
An important tree in Romanian culture is the beech. In many areas it is used on the celebration of Arminden, May 1st. Beech branches are placed above the windows and stable door, with the belief that they protect against the undead. In some villages of Oltenia, the coffins, called “thrones”, are made only of beech wood.
Another magical tree in Romanian culture is the oak. On the renowned ‘Column of Trajan’ Decebal (the fierce Dacian leader of 87-106) is depicted killing himself under an oak tree to escape being taken prisoner by Romans led by Trajan after the second Dacian-Roman war.
In some areas in Ardeal (western Transylvania) there is still the custom taking the holy communion at Easter time in the form of fir or beech buds, instead of bread and wine, after which they say “Christ Has Risen”.
Located at the curve of Carpathian Mountains, east of Brasov, is Vrancea county. Here, for lack of a church during the transhumance (the moving of sheep from one pasture to another during seasonal cycles) shepherds confess in front of a fir tree. With the tip of their ax or a pocket knife they would craft a cross on the bark of the tree and proceed to confession, while making the sign of the cross with their right hand. Then they would remove a few wood chips from the fir tree and throw them away. If the tree dried out in one year, their sins were forgiven.
Holding fir tree in high regards is still a custom today: when a new born he is presented to a fir tree, for blessing, in the absence of a priest.
Biserica de Brad, The Fir Church
The Fir Church is a cluster of fir trees growing in a circle pattern that young shepherds would choose as a natural church. Here they would marry the girl they loved dearly, but whose parents opposed to the wedding. An old shepherd or even a priest would then perform the sacred connection, in this sacred Fir Church. The sky and the stars above their heads would be witnesses, in this sacred church of God. The marriage would be out of love, without a dowry ever asked for.
Forest and Wood, from Symbology to Etymology
A few towns in Romania were named after a forest. What better way to illustrate the importance of trees, forests and wood in a nation’s culture?
Bucovina means “strawberry forest” in Slavonic.
Transylvania means ‘the land beyond the forest” (the forest of Apuseni Muntains).
The name of the Teleorman County (in south of Wallachia, along Danube, comes) from Turkish (Cumanic) Deli orman: crazy forest.
Listen to ‘The Woodland’, a 100-word story
I wrote ‘The Woodland’ especially for Expat Life.You can listen below, between minutes 3:58 – 05:23. Enjoy and thank you for listening!
For more on Romanian history, culture and its incredible natural habitat you can have a look at my work of fiction, Transylvania’s History A to Z in 100-word Stories.
Wow. What a fabulous, interesting and informative post! Awesome. Thoroughly enjoyed reading it.
Thank you, Aprana 🙂
Wood carving is such an incredible experience. Timber always feels so alive to touch.
Truly fascinating, I have been studying Semiotics recently and this was an interesting addition. Thanks!
What a fascinating field! I hope you will share some of the findings on your blog.
I am thrilled, then, that my blog post came at the right time.
Lovely post. I do tend to see “The hopes and dreams that made it rise above the ground” but you have made that clearer. Fascinating stuff.
Sweet, Jacqui 🙂 Thank you.
We’ve got to see the good, isn’t it 🙂 That’s what turns a house into a home, I think.
I love to learn the meanings behind these beautiful designs. Maggie
I like to believe that it is in nature that an artists finds its inspiration 🙂
What a lovely thought 🙂 Maggie
Very interesting!
I am wondering now which coffee has a flavor of woody tones.
With a little practice you can taste it. There is an aroma wheel that helps you identify the aromas.
I should try it. I’ll probably get to practice about five time a day anyway.
Trees symbolize individuality , inter-connectedness , peace, strength , enlightenment ( in Buddhism) and being grounded …
Beautiful! And so much of this one can absorb by simply being among trees, isn’t it? 🙂
I certainly did enjoy this article! I live in a big old house built in the late eighteen hundreds that is filled with wood carved flower motifs. Carved wood is so magical, isn’t it.
Ah, Susan, your home is a poem you walk through 🙂
fascinating read and beautiful pictures Pat!
Happy you enjoyed them, Cindy.
Such a treat for the soul, digging through holiday snapshots! 🙂
Reading your introduction, I couldn’t help noticing the lack of personality of Romanian buildings nowadays – those apartment buildings – so uniform, so bland, so impersonal. So sad! Anyway… I enjoyed your article. As always, I found out many new and interesting things. One thing I disliked… and it’s not your fault: the fir tree as a confessional and the hope that the poor tree would dry in a year for someone’s sins. That’s not a very Christian thing to hope for. 🙂
I think those apartment buildings come alive during a soccer championship 🙂
I was also startled to learn about the confession on a fir tree. Maybe it was symbolic. But life held a different value back then. And being allowed into Heaven was held in a much higher regard.
So that’s why I’m not interested in soccer at all. 🙂 As for the second part of your comment: that’s for sure! I just hope that not many sins were forgiven that way.
I think that each century added more shades of gray to what life and values are all about.
Such ideas were clearer back then.
No wonder I often dream of living in a different century. Well, except for the fir tree thing… 🙂
I’d love to dream like that 🙂
But you do dream! Remember the excerpt from the historical novel set in Medieval Transylvania that I’m so excited about? 🙂 Besides, almost your entire blog is set in other centuries. 🙂
Oh, eyes wide open dreams! 🙂
Oh, but I daydream, too. Sorry I wasn’t more clear. I don’t even remember my night dreams. Anyway, it was an excellent opportunity to hint at your novel. 🙂
Many cultures and religions give importance to nature where different aspects and elements bear sacred as well as deep meaning. The sun is worshipped in the Hindu religion. And the Peepul tree is recognized as sacred. That video you shared is awesome. Fascinating! The rope designs are so beautiful with lovely representation. Thanks for sharing this, Patricia. 🙂
Such a great pleasure, Terveen. You always appreciate my shares and have something mindful to tell me about as well. I will have to read about the Peepul tree for sure 🙂
A thoroughly enjoyable post, full of wonderful detail. Thank you so much for all that knowledge.
I am so glad to hear that, Daniel. My mission was achieved then. Information, like stories, are better shared 🙂
So often we look (at me) at older buildings and admire the woodwork, without understanding, or appreciating the meaning behind it. As you’ve said, did the wood carver select his wood by following a ray of sunshine? History comes alive when we consider the personal stories. Thanks for sharing, Pat. Great post. 🙂
Maybe we should be more mindful of how – and why – we use art in our homes. Any form of art.
Thank you, Mark. Taking the time to notice, that is precious.
So interesting, Patricia, and such fantastic art. Toni x
I am so glad that it caught your eye and you stopped by, Toni 🙂
Great article Patricia! All these motifs certainly embellish the wood art works, plus they all have a special meaning or a reason for being there. It´s always interesting to look beyond an old folk ornament and discover what story it has to tell.
Thank you, Blanca. I think that any form of art has a story to tell 🙂