For centuries, the white storks migrated witnessing humanity’s triumphs and tragedies unfold beneath its wings. From the old African tribes to the sacred temples of Egypt and the battlefields of the Levant; from the grandeur of Ottoman palaces to the villages of Romania, the white storks have traveled through space and time. They carry no bias, no memory of war or peace. Only the rhythm of migration and the promise of return. And so, when it takes flight again, it remains, as ever, a silent witness to the world’s unfolding tale.
Yesterday, on the 21st of February, we witnessed the white storks taking flight on their migratory journey. Let’s join them.
South Africa, Where the Wind Takes Flight
Beneath the burnished light of the African sun the wetlands stir with life. Around them, the summer veld fires have come and gone. The scent of scorched earth remained. The last summer rains have made their presence felt too, breathing renewal into this old land. This is the great beasts’ domain, where the savannah nurtures a profusion of wildlife: carnivores stalking their prey, herds of herbivores moving like waves across the grasslands. And the white stork. A traveler bound to the rhythm of seasons and the call of distant lands.

A young white stork, hesitant yet bound by an unseen pull, watches the elders unfurl their vast wings. A murmur rides the wind, an ancient call, a summons carried across generations. The time has come. His time. This year, he will join them. He was born in a distant land where rivers turn to ice, where chimneys breathe smoke into the sky. Once, and once alone, he followed the great flock south. His wings were still uncertain, his purpose unknown. He spent the dry season here. Waiting. Watching. Growing. When the veld fires raged across the grasslands, he learned to hunt in the flickering glow feeding on insects driven from their hiding places. He snatched them mid-flight. It was not easy at first. He stumbled. He missed. But he watched the elders, mimicked their movements. And, in time, he learned. Now, with the scent of rain fading and the promise of distant lands calling, instinct stirs in his bones. The journey begins. His journey.
The Khoisan people gather nearby, voices rising in a rhythmic chant. Clicks and trills ripple like water over stone. Hands clap. Feet drum the earth. A flute mimics the stork’s cry, high and longing. The wind carries their voices, weaving the song of the stork into the air. To them, its flight is a bridge between worlds. A messenger tracing the path of their ancestors. Even the Zulu elders murmur the old truths. How the stork’s return summons the rains. How those who glimpse its white wings first will know fortune in the seasons ahead.
The young stork lingers, torn between the safety of the land below and the pull of something greater. But instinct is an unyielding commander. So, with a mighty leap, it spreads its wings joining the sky on a column of hot wind. The path it follows is ancient. Older than memory. Older than fear. For only when the ice seized the northern lands, many generations ago, did his ancestors abandon them and retreated south, to the safety of the African plains. But the journey was never meant to end that way. And now, the time has come to return.
Wingbeats Over the Nile
The flock’s long journey carries them over the mighty Nile, the river that winds like a ribbon of bronze through the desert. Its waters, deep and slow, whisper against the reeds. The air is heavy with the scent of sunbaked sand, the hot breath of this red land rising in waves.

Further north the long, shifting shadows glide over baked stones briefly cloaking the weathered desert sentinels. The fleeting touch of sunlight reveals rough boulders, scarred by time and history. Then the shadows become, in turn, a pharaoh, a ghost, a forgotten deity. They etch upon the walls as if the birds themselves are inscribing their own living hieroglyphs. But soon, their shapes too dissolve into the golden sands leaving only a whispered trace of their passage. As it happened to all those who have walked before them.
At the banks of a temple a woman in simple, long dress watches the storks pass overhead. She tells a boy of the ba, the human soul that takes flight after death. Like these noble birds.
‘Storks,’ she says,’ are messengers of the afterlife, guiding spirits on their journey beyond.’
The fishermen too pause their work, offering brief prayers for a bountiful catch in the new season. To them, it is the storks who are the guardians of the river’s lifeblood.
Yet the majestic birds press on, their wings cutting through the desert wind. They have good, warm currents to glide on. The young stork glides along, rising and dipping with the rhythm of the air. Each gust carries him further as the pull of the north grows stronger, like an invisible thread. It is a call woven into his being, urging him toward distant lands he glimpsed only once, when he was a hatchling.
Left behind, the pyramids loom like colossal sentinels that hold fast to secrets buried beneath layers of sand and stone. Their stubborn silence stretches across the landscape, each weathered block heavy with forgotten histories. Once more, only the sun and wind remain, dancing through the ancient structures. As the storks sail soundlessly away, the woman listens, guiding the boy to hear the rhythmic murmur of time rushing between the rocks. He must remember that the birds, symbols of devotion, were once believed to embody filial piety; returning to the same nest year after year. Tending to their aging parents. Carrying upon their long wings the hopes of many generations, past and future.
Drifting Over the Levant
The air is thick with the scent of sun-warmed olives, the tang of dust and the faint spice of a distant bazaar. Church bells toll from stone towers, their echoes mingling with the calls drifting from the shofar horns and the minarets. Below, children dart through winding alleys their toes pocking the dust, their laughter ringing between whitewashed walls when they pause to point skyward.

‘The chasidah! The pious one, the kind one.’
The sacred bird. A bearer of protection. To harm it is to summon misfortune.
But the land below is restless. Armies have marched here. Banners have snapped in desert winds. Crusaders have pressed on, toward an uncertain fate. Long ago, among them, a child crusader lifted his gaze his lips moving in a strange language, but the same whispered prayer at the sight of the storks. Angels sent to guide the lost.
A sharp crack splits the air. Gunfire or a hunter’s cruel sport? Either way, death will follow.
The young stork flinches at the sound, instinct tightening his chest. The others shift course, wings angling with the rising currents. He hesitates, the land below still pulling at him, but the warm winds call. Higher. Farther. Safer. And so, he follows.
Only a shadow of hope still lingers on the ground below.
Storks in the Bosphorus Sky. And Vlad
Mist rolls over the strait where East meets West in a mosaic of domes and spires. Here, the air is saturated with brine and the aroma of coffee. Here, the sun caresses the Bosphorus waves and the copper pots. Here, whirling dervishes spin in a trance, their flowing white robes a blur of motion as they dance to the rhythm of a prayer only they hear. Their feet tap softly against the stone. The coffee sizzles in the sand. The storks glide in silence. This is the gateway to Europe, a bustling crossroads of cultures and history. Here, in the heart of the old Ottoman Empire, the storks find brief respite atop grand mosques, their nests untouched for generations. Protected. Revered.
In the shadowed courtyards of Topkapi Palace a tale is whispered. Two young boys, Mehmed and Vlad, sparring fiercely. Although for these students is a sport, the weight of sticky plots and the tangled webs of history already weigh down their weapons. The sharp clang of swords rings out as they clash. Mehmed’s curved saber slicing the air with precision, Vlad’s own blade answering with equal force, both wielding blades that are as much a part of them as the breath they take. These are not boys playing with sticks for they were never children. The sound of steel on steel echoes across the stones. Everyone watches. This is as much a lesson as it is survival. The rhythm of their combat beats in time with the pulse of their realms. One will rise to become Mehmed the Conqueror. The other, Vlad the Impaler, will soar to carve his legend in blood and freedom.

The storks watch, unmoved by the tides of history but as storm gathers over the waters, dark clouds swirl. Lightning cleaves the sky. The young stork flutters in the sudden, electric air. The wind shifts, cold and sharp, driving him forward. With each powerful gust the current takes him faster, his wings slicing through the tempest. Battling for survival. Below, the sea churns, its waves like restless troops. Already icy droplets splash his feathers. The stork presses on. He mustn’t give up. At last, he’d found his warm draft. Quickly. Quickly. Soaring. His heart beats with the rhythm of survival, his wings steady, though the storm forced him into a narrow, perilous flight path across the darkened waters. Like history, the waves spare not the weak.
Romania, Where the Storks Return on Annunciation Day
At last, the rolling hills of Romania. Bathed in the soft light of a spring yet to commence, they unfold before the young stork. The Danube Delta, with its winding waterways and endless wetlands, stretches like an invitation to the heart of this earth. But first, wooden churches with slender steeples brushing the clouds stand sentinels. Yet the storks know that these are not their enemies. The sound of church bells rings out in the distance. Welcoming. It’s Annunciation Day. The air is filled with the melodies of panpipe, its notes fluttering like whispers on the wind as the villagers dance the hora in the village square. Their feet stamp a rhythm as old as their land. These people know they shouldn’t take sunlight for granted. And neither freedom.

The first stork sighting of the season is met with cheers and celebration, promise of good fortune and renewal. In this sacred place it is a day set aside for laughter. It rings through the air. Weddings are celebrated as the breath of new life stirs in the expectant mothers, their eyes bright with the promise of joy. The people say that storks bring babies, their return marking the arrival of new life. Closing of the ancient, unbroken life cycle.
Those who have traveled this path many times before arrive in pairs, their wings strong and sure, knowing the rhythm of the seasons. Here, ponds and pools brim with fresh life. The young stork lands upon its nesting ground, its feet finally light with certainty. It lifts its beak to the sky joining the chorus of birds whose song mingles with the soft, lilting notes of the panpipe. Wings tired but heart strong, it opens and closes its bill in a sharp, echoing clatter. A noisy declaration that it, too, has arrived, ready to embrace the new season. The air fills with the melody of life’s return, a symphony of wings and music. It is spring, the time for new life to take root and the young stork knows its home now.
Copyright © Patricia Furstenberg. All Rights Reserved.
Hi Patricia, this is a lovely post. I do love storks, we saw yellow-billed storks at Madikwe recently, and your post is very informative.
Storks are magnificent, isn’t it. We consider ourselves fortunate to having witnessed the start of their migration. The extensive distance they have to cover promoted me to write these short stories. I am glad they resonated with you.
They are wonderful
How wonderful!